E-Book / Open Access

frei zugänglich / Bitte beachten Sie die Lizenzbestimmungen im Dokument

List of Illustrations and TablesList of AppendicesAcknowledgements1 Introduction1.1 Points of DepartureWorking(?) in Music on the SemiperipheryDigitalisationGender Relations1.2 Background and Theoretical FrameworkApproaches to Cultural and Musical LabourA Feminist Approach to Musical Labour on the Semiperiphery1.3 Aims, Methods, and Book Structure2 Creative Autonomy, the State, and Global Capitalism2.1 Theories of Creative Autonomy in the Cultural IndustriesArt versus Commerce: Conceptions of Cultural Autonomy in the Global CoreCreative Autonomy and the Missing State2.2 Creative Autonomy on the Eastern European SemiperipheryWorking in Music during State SocialismCreative Autonomy in Postsocialist Hungary: Limitations of a National Perspective2.3 Summary3 Creative Autonomy in the System of National Cooperation : Professionalisation, Incorporation, and Digital Entrepreneurship3.1 Creative Autonomy and the State between 2010-2020Public Service Popular Music: MR2 PetêAfiPopular Music and the National Cultural Fund3.2 Creative Autonomy, the State, and the COVID-19 crisis3.3 Gatekeeping, Gender Relations, and Digital Entrepreneurship3.4 Constructing the Music Industry 4 The Platformisation of Musical Labour and its Social Embeddedness: The Case of Hip Hop4.1 The Hip Hop Segment4.2The Platformisation of Popular Music and the Labour Process4.3 Platform Music: Labour in the Hiphop(ified) Music WorldNetworks of CooperationConnection, Competition, and Platform GovernanceThe Informality of Production: Music VideosRelations of Dependence: The State and the MarketGender Relations and Income4.4 Summary: the pop-rock and hip hop worlds through the labour process5 Gender Relations and the Role of the Household in Musical Labour5.1 Reproductive Labour and the Household in the Capitalist World-System5.2 Musical Labour and the Household in the 1980s5.3 Musical Labour and the Household after 2010Material ResourcesInfrastructural ResourcesEmotional ResourcesOther Reproductive LabourCreative ResourcesOther Productive Labour5.4 Music and Motherhood5.5 Musical Labour and the Semiperipheral Household6Emotional Labour in Music Production6.1 Emotional Labour and Relational Labour6.3 Friendship, Gender, and Power in the Music Industries6.4 Managing Work and Friendship: The Amateur Helper6.5 Social Media, Emotional Labour, and Genre7 Labour, Crisis, and Solidarity7.1 Yielding Place to the New and an Older Order7.2 Crisis and Organising7.3 Social Reproduction and SolidarityAppendicesBibliographyInde