000			01734namaa2200325 cb4500
001			BV005305351
003			DE-70
005			20261013164318.0
007			tu
007			7
008			920527s1980 a||| |||| 00||| und d
020			_a9781009767989 _9978-1-009-76798-9
024			_a9781009767989 _a978-1-009-76798-9
040			_cRU-10907106
041			_aeng
100			_aEmmery, Laura _4aut _969808
245			_aYugoslav Avant-Garde Music, 1945-1991
264			_aCambridge _bCambridge University Press _c2026
300			_a292 Seiten
336			_2rdacontent _btxt _aText
337			_2rdamedia _bbc _aComputermedien
338			_2rdacarrier _bcr _aOnline Ressource
490			_aMusic since 1900
500			_aE-Book / Open Access
506			_afrei zugänglich / Bitte beachten Sie die Lizenzbestimmungen im Dokument
520			_aIntroduction; Part I. First Avant-Gardes: 1. Postwar Yugoslavia: socialist realism and moderated modernism; 2. Looking back to Byzantium: a new modernist aesthetic; 3. Music biennale zagreb and the musical avant-garde revolution of the 1960s; Part II. Electronic Music: 4. Early electronic music explorations in Yugoslavia and the formation of the electronic music studio radio Belgrade; 5. Pioneers of electronic music in Yugoslavia: a case study of Ludmila Frajt and Vladan Radovanovic; 6. Computerization of electronic music in Yugoslavia; Part III. New Avant-Gardes and Postmodernism: 7. A cultural phenomenon: the student cultural center in Belgrade; 8. New avant-gardes: minimalism and fluxus; 9. Postmodernism; Epilogue: 1991; Bibliography; Appendix; Index.
655			_aOpen Access
856			_zfrei zugänglich _uhttps://doi.org/10.1017/9781009767989
942			_cEB _2z
999			_c74707 _d74707