| 000 | 01381namaa2200313 cb4500 | ||
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| 001 | BV005305351 | ||
| 003 | DE-70 | ||
| 005 | 20260928170611.0 | ||
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| 007 | tu | ||
| 007 | 7 | ||
| 008 | 920527s1980 a||| |||| 00||| und d | ||
| 020 |
_a9781000738599 _9978-1-000-73859-9 |
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| 024 |
_a9781000738599 _a978-1-000-73859-9 |
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| 040 | _cRU-10907106 | ||
| 041 | _aeng | ||
| 100 |
_aNielsen, Cynthia R. _4aut _969716 |
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| 245 |
_aGadamers Hermeneutical Aesthetics _bArt as a Performative, Dynamic, Communal Event |
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| 264 |
_aLondon _bTaylor & Francis; Routledge _c2022 |
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| 300 | _a172 Seiten | ||
| 336 |
_2rdacontent _aText _btxt |
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_2rdamedia _aComputermedien _bbc |
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_2rdacarrier _aOnline Ressource _bcr |
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| 490 | _aRoutledge Research in Aesthetics | ||
| 500 | _aE-Book / Zugriff nur im Lesesaal | ||
| 520 | _aIntroductionChapter 1: Kantian Resonances and DissonancesChapter 2: Hegelian Resonances and Dissonances (and A Heideggerian Coda)Chapter 3: Romare Beardens Collages and Arts Address: On World De-fabrication and ReconfigurationChapter 4: Banksy, Street Art, and A Benjaminian CodaChapter 5: Its All About (Hermeneutical) Movement: Play, Leeway, Difference, and a Coda on Free Jazz | ||
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_zVolltext _uhttp://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3347594 |
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_cEB _2z |
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_c74609 _d74609 |
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