| 000 | 01428namaa2200313 cb4500 | ||
|---|---|---|---|
| 001 | BV005305351 | ||
| 003 | DE-70 | ||
| 005 | 20260715161130.0 | ||
| 006 | m|||| o||u| |||||| | ||
| 007 | tu | ||
| 007 | 7 | ||
| 008 | 920527s1980 a||| |||| 00||| und d | ||
| 020 |
_a9781003622192 _9978-1-003-62219-2 |
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| 024 |
_a9781003622192 _a978-1-003-62219-2 |
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| 040 | _cRU-10907106 | ||
| 041 | _aeng | ||
| 100 |
_aSilina, Maria _4aut _969547 |
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| 245 |
_aSoviet Museums Between the Two World Wars _bArt History on Display |
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| 264 |
_aLondon _bTaylor & Francis _c2026 |
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| 300 | _a220 Seiten | ||
| 336 |
_2rdacontent _aText _btxt |
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| 337 |
_2rdamedia _aComputermedien _bbc |
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| 338 |
_2rdacarrier _aOnline Ressource _bcr |
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| 490 | _aRoutledge Research in Art Museums and Exhibitions | ||
| 500 | _aE-Book / Zugriff nur im Lesesaal | ||
| 520 | _aIntroduction. Soviet Russian Museums Between Revolution and World WarChapter 1. Locating Soviet Museum Theory and Practice: 1910s-1920sChapter 2. On Alternatives to the Modernist Agenda: The Everyday-Life Museum and the Question of AuthenticityChapter 3. Art Education in MuseumsChapter 4. The Class Agenda and Mass EngagementChapter 5. Marxist Comprehensive Displays in Art MuseumsChapter 6. Temporality of the Canon: The Creation of a National History of Art in a Socialist MuseumBibliography | ||
| 856 |
_zVolltext _uhttps://doi.org/10.4324/9781003622192 |
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| 942 |
_cEB _2z |
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| 999 |
_c74475 _d74475 |
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