| 000 | 01259namaa2200313 cb4500 | ||
|---|---|---|---|
| 001 | BV005305351 | ||
| 003 | DE-70 | ||
| 005 | 20260714183516.0 | ||
| 006 | m|||| o||u| |||||| | ||
| 007 | tu | ||
| 007 | 7 | ||
| 008 | 920527s1980 a||| |||| 00||| und d | ||
| 020 |
_a9781040750780 _9978-1-040-75078-0 |
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| 024 |
_a9781040750780 _a978-1-040-75078-0 |
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| 040 | _cRU-10907106 | ||
| 041 | _aeng | ||
| 100 |
_aJame, Constance _4aut _969538 |
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| 245 |
_aCurating Islamic Art in European Museums _bPostcolonial Perspectives and Museological Transformations |
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| 264 |
_aLondon _bTaylor & Francis; Routledge _c2026 |
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| 300 | _a278 Seiten | ||
| 336 |
_2rdacontent _aText _btxt |
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| 337 |
_2rdamedia _aComputermedien _bbc |
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| 338 |
_2rdacarrier _aOnline Ressource _bcr |
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| 490 | _aRoutledge Research in Museum Studies | ||
| 500 | _aE-Book / Zugriff nur im Lesesaal | ||
| 520 | _aIntroduction 1. European Islamophilia (1860s-1910): Formation of the Collections 2. A Fad for Islamic Art in the 2010s in Museums 3. A European Islamic Heritage 4. (Re)Presenting Communities 5. Resurrecting Islamic Art: Including Modern and Contemporary Artistic Practices 6. A New Otherness | ||
| 856 |
_zVolltext _uhttps://doi.org/10.4324/9781003683414 |
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| 942 |
_cEB _2z |
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| 999 |
_c74466 _d74466 |
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