| 000 | 02491namaa2200313 cb4500 | ||
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| 001 | BV005305351 | ||
| 003 | DE-70 | ||
| 005 | 20260617155501.0 | ||
| 006 | m|||| o||u| |||||| | ||
| 007 | tu | ||
| 007 | 7 | ||
| 008 | 920527s1980 a||| |||| 00||| und d | ||
| 020 |
_a9783032075932 _9978-3-032-07593-2 |
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| 024 |
_a9783032075932 _a978-3-032-07593-2 |
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| 040 | _cRU-10907106 | ||
| 041 | _aeng | ||
| 100 |
_aShay, Anthony (Hrsg.) _4aut _969175 |
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| 245 |
_aMiddle Eastern Dance _bHistories, Theories, Performances |
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| 264 |
_aCham _bSpringer International Publishing; Palgrave Macmillan _c2026 |
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| 300 | _a397 Seiten | ||
| 336 |
_2rdacontent _aText _btxt |
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| 337 |
_2rdamedia _aComputermedien _bbc |
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_2rdacarrier _aOnline Ressource _bcr |
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| 490 | _aLiterature, Cultural and Media Studies / Literature, Cultural and Media Studies | ||
| 500 | _aE-Book / Zugriff nur im Lesesaal | ||
| 520 | _a Introduction: Dance in the Middle East, North Africa and Central Asia.- Part 1: The Arab World.- Chapter 01: Belly Dance: Somatic Ways of Improvising Happiness.- Chapter 02: Dancing Bodies, Religion, and Gender in Egypt.- Chapter 03: Song in Najib Mahfuz Palace Walk: Recreating and Appreciating the Diegetic Soundtrack of a Modern Egyptian Novel.- Chapter 04: Bourdieus Thinking Tools Applied to Bellydance Research.- Chapter 05: Representations and paradoxes in the practice of belly dance in Egypt and Brazil.- Part 2: The Turkish World.- Chapter 06: Anatolian Folklore and the Construction of a New Turkish Identity.- Chapter 07: Halay: From Ritualistic Circle Dance to Political Act in Turkey.- Chapter 08: Motion and Transcendence in Euro-Turkic Context: the Alevi Semah.- Chapter 09: Standing in the D©Đar: Shrinking the Body Towards the Vertical Axis in Alevi Rituals.- Part 3: The Iranian World.- Chapter 10: What Can Dance and Other Non-Dance Patterned Movement Systems Tell Us about Iranian Society?.- Chapter 11: The Quotidien and Cinematic Lives of Iranian Cabaret Dancers in Twentieth-Century Iran.- Chapter 12: Iranian Dancers Perform Despite Restrictions: Navigating a Sociopolitical Obstacle Course.- Chapter 13: Examining Dance as a Third Space in the Iranian Diaspora.- Chapter 14: Contemporizing Iranian Dance: The Importance of Using Pedagogy Rooted in Traditional Iranian Dance Aesthetics to Explore Current Themes. | ||
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_zVolltext _uhttp://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=4431764 |
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