| 000 | 04538nam a22004453i 4500 | ||
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| 001 | EBC5580253 | ||
| 003 | MiAaPQ | ||
| 005 | 20251117143417.0 | ||
| 007 | cr cnu|||||||| | ||
| 008 | 251117s2018 xx o ||||0 eng d | ||
| 020 |
_a9781351187749 _q(electronic bk.) |
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| 020 | _z9780815374299 | ||
| 040 |
_aMiAaPQ _beng _cMiAaPQ |
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| 100 | 1 |
_aBrett, Donna West. _967600 |
|
| 245 | 1 | 0 |
_aPhotography and Ontology : _bUnsettling Images. |
| 250 | _a1st ed. | ||
| 264 | 1 |
_aOxford : _bTaylor & Francis Group, _c2018. |
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| 264 | 4 | _c©2019. | |
| 300 | _a1 online resource (223 pages) | ||
| 336 |
_aText _btxt _2rdacontent |
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| 337 |
_aComputermedien _bc _2rdamedia |
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| 338 |
_aOnline Resource _bcr _2rdacarrier |
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| 490 | 1 | _aRoutledge History of Photography Series | |
| 500 | _aE-Book-ProQuest / Fernzugriff nach Registrierung möglich | ||
| 505 | 0 | _aCover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Table of Contents -- List of Illustrations -- Color Plates -- Acknowledgments -- Photography and Ontology: An Introduction -- Unsettling Images: The Essays -- Notes -- Notes -- Chapter 1: Ontology or Metaphor? -- Metaphors They Photographed By -- The Sun Picture -- Mirror, Memory, Shadow, Vision -- Index -- Notes -- Chapter 2: Unsettling the Archive: The Stasi, Photography, and Escape from the GDR -- The Man in a Smart Suit -- Waldmü llerstrasse 1 -- Smugglers and the Opel Kapitan -- Operation Biscaya -- Unsettling the Archive -- Acknowledgments -- Abbreviations -- Notes -- Chapter 3: Dark Archive: The Afterlife of Forensic Photographs -- Notes -- Chapter 4: Hard Looks: Faces, Bodies, Lives in Early Sydney Police Portrait Photography -- "Birds of Passage" -- Identity Games -- Forget Me Not -- Digital Mobilities -- Stripped-Down -- Four Rememberings -- Conclusion -- Acknowledgments -- Notes -- Chapter 5: Anticipatory Photographs: Sarah Pickering and An-My Lê -- An-My Lê : Imagining Wars -- Notes -- Chapter 6: Eli Lotar's Para-urban Visions -- Introduction -- The City of Blood -- Fantastique Social -- The Pichard Image -- Acknowledgments -- Notes -- Chapter 7: The Presence of Video: Making the Displaced and Disappeared Self Visible -- Notes -- Chapter 8: Contemplating Life: Rinko Kawauchi's Autobiography of Seeing -- Photography, Autobiography, and the Real -- Photography and Life 1: Photography in/as Autobiography -- Photography and Life 2: Photography and the Self -- Photography and Life 3: Personal Photography and the Photo-Diarist -- Reframing the Personal: Kawauchi and the Photobook -- Child-like, Dream-like: Kawauchi's Mode of Looking -- Kawauchi's Equivalence of Attention -- Kawauchi's Constant Present -- Conclusion -- Notes. | |
| 505 | 8 | _aChapter 9: Suspending Productive Time: Some Photographs by Gabriel Orozco and Jacques Ranciè re's Thinking of Modern Aesthetics -- Between Political Economy and Psychoanalysis: Benjamin Buchloh and Margaret Iversen on Orozco's Photography -- Jacques Ranciè re on Artistic Modernity and Aesthetic Experience -- Orozco's Photographs and the Suspension of Productive Time -- Acknowledgments -- Notes -- Chapter 10: Photography as Indexical Data: Hans Eijkelboom and Pattern Recognition Algorithms -- Hans Eijkelboom -- The Computer as Hyperviewer: Photography and "Deep Learning" -- The Data Selfie: From Google to Amazon's Echo Look -- Conclusion -- Notes -- Chapter 11: Afterword: Photography Against Ontology -- Ontology Against Photography -- Relational Ontology -- Variable Ontology -- The Political Ontology of Photography -- Notes -- Contributors -- Bibliography -- Index. | |
| 520 | _aThis edited collection explores the complex ways in which photography is used and interpreted: as a record of evidence, as a form of communication, as a means of social and political provocation, as a mode of surveillance, as a narrative of the self, and as an art form. | ||
| 532 | 8 | _aPublisher contact for further accessibility information: N/A | |
| 653 | _aOntology. | ||
| 653 | _aPhotography-Philosophy. | ||
| 655 |
_aFernzugriff _9230 |
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| 655 | 4 | _aElectronic books. | |
| 700 | 1 |
_aLusty, Natalya. _967601 |
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| 776 | 0 | 8 |
_iPrint version: _aBrett, Donna West _tPhotography and Ontology _dOxford : Taylor & Francis Group,c2018 _z9780815374299 |
| 830 | 0 |
_aRoutledge History of Photography Series _957340 |
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| 856 | 4 | 0 |
_uhttps://ebookcentral.proquest.com/lib/maxweberstiftung-ebooks/detail.action?docID=5580253 _zVolltext |
| 942 | _cEB | ||
| 999 |
_c73179 _d73179 |
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