000			01842namaa2200325 cb4500
001			BV005305351
003			DE-70
005			20250819163422.0
007			tu
007			7
008			920527s1980 a||| |||| 00||| und d
020			_a9780429851605 _9978-0-429-85160-5
024			_a9780429851605 _a978-0-429-85160-5
040			_cRU-10907106
041			_aeng
100			_aArgounova-Low, Tatiana; Brown, Alison K. _4aut _966766
245			_aNarrative Objects _bMuseums, the Sakha Summer Festival, and Cultural Revival in Siberia _cTatiana Argounova-Low and Alison K. Brown
264			_aLondon _bTaylor & Francis; Routledge _c2025
300			_a226 Seiten
336			_2rdacontent _btxt _aText
337			_2rdamedia _bbc _aComputermedien
338			_2rdacarrier _bcr _aOnline Ressource
490			_aAnthropological Studies of Creativity and Perception
500			_aE-Book / Open Access
506			_afrei zugänglich / Bitte beachten Sie die Lizenzbestimmungen im Dokument
520			_aList of figures; Language and transliteration; Glossary; Acknowledgements; Foreword by Tim Ingold; Introduction : Encountering a Model; Part 1: Places and history -- 1.1 Introduction; 1.2 Narrative and voice; 1.3 Silence and yhyakh; 1.4 Yhyakh returns; Part 2: Exhibition narratives -- 2.1 Introduction; 2.2 A model made for display; 2.3 Puteshestvie Dlinoiu v Vek / Century Long Journey: connecting people with collections; 2.4 Narrating the model in the Republic of Sakha (Yakutia); Part 3: Craftsmanship and creativity -- 3.1 Introduction; 3.2 Mammoth ivory as material; 3.3 Carving as art and craft; 3.4 Artistic futures: the model and the aspiring artists; Conclusion: model of yhyakh as a narrative object; Index.
655			_aOpen Access
856			_zfrei zugänglich _uhttps://doi.org/10.4324/9780429456398
942			_cEB _2z
999			_c72722 _d72722