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020			_a9780511617133 _9978-0-511-61713-3
024			_a9780511617133 _a978-0-511-61713-3
040			_cRU-10907106
041			_aeng
100			_aGottlieb, Sidney (Hrsg.) _4aut _966720
245			_aRoberto Rossellini's Rome Open City _cEdited by Sidney Gottlieb
264			_aCambridge _bCambridge University Press; Cambridge University Press (Virtual Publishing) _c2010
300			_a193 Seiten
336			_2rdacontent _aText _btxt
337			_2rdamedia _aComputermedien _bbc
338			_2rdacarrier _aOnline Ressource _bcr
490			_aCambridge Film Handbooks
500			_aE-Book / Zugriff nur im Lesesaal
520			_aIntroduction: Open City: reappropriating the old, making the new Sidney Gottlieb; 1. Rossellini, Open City, and neorealism Sidney Gottlieb; 2. The making of Roma citt©Ła aperta: the legacy of fascism and the birth of neorealism Peter Bondanella; 3. Celluloide and the palimpsest of cinematic memory: Carlo Lizzani's film of the story behind Open City Millicent Marcus; 4. Diverting clich©Øes: femininity, masculinity, melodrama, and neorealism in Open City Marcia Landy; 5. Space, rhetoric, and the divided city in Roma citt©Ła aperta David Forgacs; 6. Mourning, melancholia, and the popular front: Roberto Rossellini's beautiful revolution Michael P. Rogin; Reviews of Open City; Filmograph
856			_zVolltext _uhttps://doi.org/10.1017/CBO9780511617133
942			_cEB _2z
999			_c72687 _d72687