| 000 | 01237namaa2200301 cb4500 | ||
|---|---|---|---|
| 001 | BV005305351 | ||
| 003 | DE-70 | ||
| 005 | 20250318161816.0 | ||
| 006 | m|||| o||u| |||||| | ||
| 007 | tu | ||
| 007 | 7 | ||
| 008 | 920527s1980 a||| |||| 00||| und d | ||
| 020 |
_a9781009479264 _9978-1-00-947926-4 |
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| 024 |
_a9781009479264 _a978-1-00-947926-4 |
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| 040 |
_cRU-10907106 _aRU-10907106 _bger |
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| 041 | _aeng | ||
| 100 |
_aWalker, Mark _4aut _965999 |
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| 245 |
_aHitler's Atomic Bomb _bHistory, Legend, and the Twin Legacies of Auschwitz and Hiroshima |
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| 264 |
_aCambridge _bCambridge University Press _c2024 |
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| 300 | _a346 Seiten | ||
| 336 |
_2rdacontent _aText _btxt |
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| 337 |
_2rdamedia _aComputermedien _bbc |
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| 338 |
_2rdacarrier _aOnline Ressource _bcr |
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| 500 | _aE-Book / Zugriff nur im Lesesaal | ||
| 520 | _aIntroduction; Part I. The Bomb: 1. Farm hall; 2. Nuclear fission; 3. Lightning war; 4. Selling uranium; 5. Total war; 6. The War is Lost; Part II. Living with the Bomb; 7. Oversimplifications; 8. Compromising with Hitler; 9. Rehabilitation; 10. Copenhagen; Conclusion; Epilogue. The historian as historical actor. | ||
| 856 |
_zVolltext _uhttps://doi.org/10.1017/9781009479264 |
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| 942 |
_cEB _2z |
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| 999 |
_c72252 _d72252 |
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