000 | 07396nam a22004333i 4500 | ||
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001 | EBC31467375 | ||
003 | MiAaPQ | ||
005 | 20240823185300.0 | ||
007 | cr cnu|||||||| | ||
008 | 240823s2024 xx o ||||0 eng d | ||
020 |
_a9781040106655 _q(electronic bk.) |
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020 | _z9781032539102 | ||
040 |
_aMiAaPQ _beng _cMiAaPQ |
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100 | 1 |
_aAuestad, Reiko Abe. _964749 |
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245 | 1 | 0 |
_aAffect, Emotion and Sensibility in Modern Japanese Literature : _bFrom Natsume Sôseki to Ishimure Michiko. |
250 | _a1st ed. | ||
264 | 1 |
_aOxford : _bTaylor & Francis Group, _c2024. |
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264 | 4 | _c{copy}2025. | |
300 | _a1 online resource (221 pages) | ||
336 |
_aText _btxt _2rdacontent |
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337 |
_aComputermedien _bc _2rdamedia |
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338 |
_aOnline Resource _bcr _2rdacarrier |
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490 | 1 | _aRoutledge Research on Asian Literature Series | |
500 | _aE-Book-ProQuest / Fernzugriff nach Registrierung möglich | ||
505 | 0 | _aCover -- Half Title -- Series Information -- Title Page -- Copyright Page -- Table of Contents -- Acknowledgements -- Introduction -- Interpretative Framework: Reading as Continuous With Life -- Methodological and Theoretical Framework: Affect Theory, Cognitive Science, and Butlerian Ethics -- Overview of the Book and Chapters in Context: From Natsume Sôseki and Shiga Naoya to Tsushima Yûko and Ishimure Michiko -- Part I Genre: Sensibility, Language, and Genre -- Part II Affect: From the Affect That Unhinges to the Affective Apprehension of the Present -- Part III Trauma: Representing a Real-Life Trauma in Fiction -- Notes -- References -- Part I Sensibility and Genre -- 1 Natsume Sôseki's Narrative Experiments: From Shaseibun to Light and Dark -- Introduction: Sensibility Or Idioculture -- Jiko-hon'i: On One's Own Terms -- The Evolving Cognitive Literary Landscape in the Meiji Period -- The Use of Shaseibun in Narratives -- Close Reading: Light and Dark (1916) -- 'Odd' Narrative Structure -- Love Marriage -- Split Female Roles: 'Osan' and 'Koharu' -- The Aesthetics of the Absolute Present -- Conclusion -- Notes -- References -- 2 Shiga Naoya's Shishôsetsu: From 'Infatuation' to A Dark Night's Passing -- Introduction: The Taishô Kyôyô Shugi (Taishô Culture of Self-Cultivation) and the New Literati Paradigm -- Shiga Naoya's Auto-Therapeutic Project: From 'Chijô' ('Infatuation' 1926) to An'ya Kôro (A Dark Night's Passing 1937) -- 'Infatuation' (1926): Honesty and Negative Affects -- An'ya Kôro (A Dark Night's Passing, 1922-1937) -- Introduction: What Is This Shishôsetsu All About? -- From Mother's Secret to Wife's Indiscretion -- Shiga Hero's Evolving Sexuality and Ethics -- Shiga Versus Sôseki -- Conclusion -- Notes -- References -- Part II Affect and Emotion -- 3 Disorienting Affect in Natsume Sôseki's Kokoro. | |
505 | 8 | _aIntroduction: Reading Against 'Personalism' -- Core Affect and Social Conditioning -- Phenomenology of Emotions in Kokoro (1914) -- Ugly Feelings -- Paranoia and Envy -- The Structure of the House and the Structure of Feelings -- Affective Pre-Emptive Strike -- Theory of 'Delay': Was There Foul Play On the Part of Sensei? -- Conclusion -- Notes -- References -- 4 Ôe Kenzaburô's The Silent Cry Revisited Through Affect Theory -- Introduction: Ôe and the Emperor -- Affect, Cognition, and History -- Close Reading the Affective Dynamics in The Silent Cry (1967) -- Ideo-Affective Investment in Ideology -- Differential Repetitions of Affective Scenes -- Affect On Autopilot -- The Showdown Between the Brothers in the Family's Storehouse: Terms of Ethicality Turned On Their Head -- Conclusion: Affect and History -- Notes -- References -- 5 Speech Acts and Emotion in Kirino Natsuo's Grotesque -- Introduction: Crime Novel as Social Critique -- Close Reading Grotesque (2003) -- Speech Act -- Affect-driven Dialogism and Epistolarity -- 'Schemes of Recognition' and the Female Narrator Known as Yuriko's Sister -- Meeting Kazue and Mitsuru at Q School -- Yuriko's Sister's Sexuality -- Kazue's Downfall -- Yuriko's Downfall -- Conclusion -- Notes -- References -- 6 Cruel Optimism in Kawakami Mieko's Breasts and Eggs and Murata Sayaka's Convenience Store Woman -- Introduction: Affectively Apprehending the Present -- Close-Reading Breasts and Eggs (2008) -- Presence Through Intertextuality: Higuchi Ichiyô (1872-1896) -- Playful Words and Ludic Gestures -- The Climactic Scene in the Kitchen -- Close-Reading Convenience Store Woman (2016) -- 'Perceptual Method' and Defamiliarisation -- Conclusion -- Notes -- References -- Part III Historical Trauma and Representation -- 7 Ibuse Masuji's Black Rain and Imamura Shôhei's Film Adaptation. | |
505 | 8 | _aIntroduction: Ethics of Memory in Post-War Japan -- Ibuse Masuji's Black Rain Versus Imamura Shôhei's Film: Axes of Comparison -- The Change in Time: 1966 and 1989 -- Ibuse Masuji's Concerns in Black Rain (1966) -- Imamura Shôhei's Black Rain (1989) -- Adaptation From Novel to Film -- Intertextual Resonance: 'Lieutenant Look East' (1950) -- The Realm of Perception in the Medium of Film -- Conclusion -- Notes -- References -- 8 Intertextual Time Machine: Tsushima Yûko's Laughing Wolf and Ôe Kenzaburô's Children of Two Hundred Years -- Introduction: The Japanese National Identity Debate in the 1990s -- Tsushima Yûko's Intertextual Time Machine -- On Grieving (Kanashimi Ni Tsuite, 2017) -- Laughing Wolf (2000) -- Ôe Kenzaburô's Intertextual Time Machine in Children of Two Hundred Years -- The Foundation Narratives in M/T and Contemporaneity -- Secrets From the Past in Children -- Mediating Between 'Thick Relations' and 'Thin Relations' -- Feminist Project in Ôe's 'Late Works' -- Epilogue to Chapters 7 and 8 -- Notes -- References -- 9 Ethics of Care in Ishimure Michiko's Villages of the Gods -- Introduction: Minamata, the Sea of Sorrow -- From Matters of Fact to Matters of Concern and Care -- Close-Reading Villages of the Gods (2004) -- A Dystopic Vision of the Interconnectedness of Things -- Matters of Concern and Care -- Buddhist-Inspired 'Animism', Compassion, and Care in Ishimure -- The Forces of Life Pulsating in the World of the Human and the Non-Human -- Shinran and Pure Land Buddhism: A Diamond in the Mud of Bonnô -- Modae Gami Mode of Writing: Between Kikigaki and Shishôsetsu -- 'Animism' That Encompasses Decomposition in a Food Web and Cycle of Life -- Towards Ecocritical Thinking -- Notes -- References -- Conclusion -- Affects, Emotions, and the Fundamental Sociality of Embodied Life. | |
505 | 8 | _aLiterature: Accrued Historicity Made Visible in Slow Motion -- Epilogue: Revisiting 'Five Cups of Sake' -- Notes -- References -- Index. | |
520 | _aThis book takes the unique approach of combining cognitive approaches with more established close-reading methods in analyzing a selection of Japanese novels. | ||
653 | _aAffect (Psychology) in literature. | ||
655 |
_aFernzugriff _9230 |
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655 | 4 | _aElectronic books. | |
776 | 0 | 8 |
_iPrint version: _aAuestad, Reiko Abe _tAffect, Emotion and Sensibility in Modern Japanese Literature _dOxford : Taylor & Francis Group,c2024 _z9781032539102 |
830 | 0 |
_aRoutledge Research on Asian Literature Series _964750 |
|
856 | 4 | 0 |
_uhttps://ebookcentral.proquest.com/lib/maxweberstiftung-ebooks/detail.action?docID=31467375 _zVolltext |
942 | _cEB | ||
999 |
_c71553 _d71553 |