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008 | 231122s2023 xx o ||||0 eng d | ||
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_a9781119841807 _q(electronic bk.) |
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_aMiAaPQ _beng _cMiAaPQ |
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245 | 1 | 2 |
_aA Companion to Contemporary Art in a Global Framework _cedited by Jane Chin Davidson and Amelia Jones |
264 | 1 |
_aChichester : _bJohn Wiley & Sons, _c2023. |
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264 | 4 | _c©2024. | |
300 | _a1 online resource (589 pages) | ||
336 |
_aText _btxt _2rdacontent |
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337 |
_aComputermedien _bc _2rdamedia |
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338 |
_aOnline Resource _bcr _2rdacarrier |
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490 | 0 |
_aWiley-Blackwell companions to art history : _v21 |
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500 | _aE-Book-ProQuest / Fernzugriff nach Registrierung möglich | ||
505 | 0 | _aIntro -- A Companion to Contemporary Art in a Global Framework -- Contents -- List of Illustrations -- Series Editor's Preface -- About the Editors -- Notes on Contributors -- Editors' Acknowledgments -- Introduction: The Eurocentrism of Contemporary Art, Staging the Project -- Part I Decades -- 1980-1990 -- 1 I Live in the Fourth Dimension When I Create Landscapes: Artist Statement -- 2 Seeing Beyond East/West Divides: Contemporary Art in and Around 1980s China -- 1990-2000 -- 3 Is There a Line that Connects All Things? Artist Statement -- 4 Why Contemporary Art Is Post-Soviet -- 2000-2010 -- 5 Art and Politics: Artist Statement -- 6 Māori and Pacific Art at the Turn of a New Millennium -- 2010-2020 -- 7 Art for Abolition: Artist Statement -- 8 Situating African Diasporic Art -- Part II Themes -- Institutions/Ontology -- 9 COLONIALISM "The Whole World in his Hands": A Decolonial Approach to European Concepts of Art -- 10 PEDAGOGY The Blank Canvas and Other Myths -- 11 CRAFT Craft and the Making of "Global" Contemporary Art -- 12 PERFORMANCE Dreams and Visions in the Interval -- 13 EMBODIMENT/MATERIALITY Love Songs (to End Hetero-Patriarchal, Settler-Colonial, Extractivism) -- Politics/Public Sphere -- 14 REVOLUTION Revolution is a Circle -- 15 ART AND ITS MARKETPLACES It Was a Small World, After All -- 16 PUBLIC SPHERES The Politics of Public Space in Postrevolutionary Iran -- 17 (ANTI-)CAPITALISM The Imminent Promise and Fear of a Getaway Car -- 18 ENVIRONMENT Envisioning a More Just Future: Feminist Activist Art, Climate Change, and the Anthropocene -- Identity/Subjectivity -- 19 INDIGENEITY Global Futurisms: Prophetic Practices of Reclamation, Liberation, and Transcendence -- 20 DIASPORA Transnational Collectivities of Solidarity and Affect -- 21 GENDER/SEXUALITY Performing the Intersection: Camp and the "Cat Lady". | |
505 | 8 | _a22 RACE/ETHNICITY Three Forms of Appropriation: Carrie Mae Weems, Glenn Ligon, and Nao Bustamante -- 23 DISABILITY Disability Justice, Community, and Performance -- Methods/Theories -- 24 POSTCOLONIAL/DECOLONIAL Post-/Anti-/Neo-/De- Colonial Theories and Visual Analysis -- 25 MARXISM/POST-MARXISM History, Marxism, Reality, and Utopia: The Bishan Project in China (2010-2016) -- 26 CRITICAL RACE THEORY "The Blast Work": Situating Critical Race Theory in Contemporary Art and Curatorial Practice -- 27 POSTSTRUCTURALISM/POSTMODERNISM/POSTCOLONIALISM Mapping Poststructuralism, Postmodernism, and Postcolonialism -- 28 GENDER/SEX THEORY Feminist/Queer/Trans Theory and Trans Embodied Methodologies in Contemporary Art: An Intergenerational Dialogue on the Page -- 29 PERFORMANCE THEORY The "Studies Protocols" of Performance Studies -- Technology/Media -- 30 INTERNET "Bias Is Not a Bug. It's a Feature": An Interview with Hito Steyerl on Representation in the Digital Age -- 31 SOCIAL MEDIA Why Is It So Hard to Look the Other in the Eye? The Selfie and its Discontents -- 32 ALGORITHM Algorithms in Global Art and Visual Culture -- Exhibition/Collecting/Archive -- 33 MUSEUM Time, Love, and the Museum -- 34 BIENNIAL/ART FAIR Biennial as a Discursive Political System for Contemporary Art -- 35 CURATING In Residence, Incarcerated Regina José Galindo's America's Family Prison -- 36 COLLECTING The World Should Collect Itself: Collecting Art Globally (and Other Predicaments) -- 37 ARCHIVE Ghosts in the Archive: Exorcism, Resurrection and the Possibilities of Repair -- Index -- EULA. | |
650 | 7 |
_2gnd _aKunst |
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650 | 7 |
_2gnd _aGesellschaft |
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655 | 4 | _aElectronic books. | |
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_aFernzugriff _9230 |
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700 | 1 |
_aDavidson, Jane Chin. _4edt _eeditor _958064 |
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700 | 1 |
_aJones, Amelia. _958066 _4edt _eeditor |
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830 | 0 |
_aWiley-Blackwell companions to art history _958067 |
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856 | 4 | 0 |
_uhttps://ebookcentral.proquest.com/lib/maxweberstiftung-ebooks/detail.action?docID=30771218 _zVolltext |
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