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001 | MIU345950001001 | ||
003 | MiU | ||
005 | 20231010140847.0 | ||
008 | 070914t20072007ksuacd b 001 0 eng | ||
010 | _a 2007038203 | ||
019 |
_a294935776 _a718143786 _a1022719521 |
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_z9780700615476 _q(alk. paper) |
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020 |
_z0700615474 _q(alk. paper) |
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020 |
_z9780700616510 _q(pbk.) |
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020 |
_z0700616519 _q(pbk.) |
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_aMiU _cMiU |
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060 | 4 | _a784.4216 O34h | |
072 | 7 |
_as1ht _2rero |
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072 | 7 |
_as2ss _2rero |
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100 | 1 |
_aOgbar, Jeffrey Ogbonna Green, _eauthor. _929564 |
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245 | 1 | 0 |
_aHip-hop revolution : _bthe culture and politics of rap / _cJeffrey O.G. Ogbar. |
264 | 1 |
_aLawrence : _bUniversity Press of Kansas, _c[2007] |
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264 | 4 | _c©2007 | |
300 |
_aix, 236 pages : _billustrations, portraits, charts ; _c24 cm. |
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336 |
_aText _btxt _2rdacontent |
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337 |
_aComputermedien _bn _2rdamedia |
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338 |
_aOnline Resource _bnc _2rdacarrier |
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490 | 1 | _aCultureAmerica | |
504 | _aIncludes bibliographical references (pages 183-223) and index. | ||
505 | 0 | _aThe minstrel reprise : hip-hop and the evolution of the Black image in American popular culture -- "Real niggas" : race, ethnicity, and the construction of authenticity in hip-hop -- Between God and earth : feminism, machismo, and gender in hip-hop music -- Rebels with a cause : gangstas, militants, media, and the contest for hip-hop -- Locked up : police, the prison industrial complex, Black youth, and social control. | |
520 | _a"In the world of hip-hop, "keeping it real" has always been a primary goal--and realness takes on special meaning as rappers mold their images for street cred and increasingly measure authenticity by ghetto-centric notions of "Who's badder?" In this groundbreaking book, Jeffrey O.G. Ogbar celebrates hip-hop and confronts the cult of authenticity that defines its essential character--that dictates how performers walk, talk, and express themselves artistically and also influences the consumer market. Hip-Hop Revolution is a balanced cultural history that looks past negative stereotypes of hip-hop as a monolith of hedonistic, unthinking noise to reveal its evolving positive role within American society. A writer who's personally encountered many of hip-hop's icons, Ogbar traces hip-hop's rise as a cultural juggernaut, focusing on how it negotiates its own sense of identity. He especially explores the lyrical world of rap as artists struggle to define what realness means in an art where class, race, and gender are central to expressions of authenticity-and how this realness is articulated in a society dominated by gendered and racialized stereotypes. Ogbar also explores problematic black images, including minstrelsy, hip-hop's social milieu, and the artists' own historical and political awareness. Ranging across the rap spectrum from the conscious hip-hop of Mos Def to the gangsta rap of 50 Cent to the "underground" sounds of Jurassic 5 and the Roots, he tracks the ongoing quest for a unique and credible voice to show how complex, contested, and malleable these codes of authenticity are. Most important, Ogbar persuasively challenges widely held notions that hip-hop is socially dangerous--to black youths in particular--by addressing the ways in which rappers critically view the popularity of crime-focused lyrics, the antisocial messages of their peers, and the volatile politics of the word "nigga." Hip-Hop Revolution deftly balances an insider's love of the culture with a scholar's detached critique, exploring popular myths about black educational attainment, civic engagement, crime, and sexuality. By cutting to the bone of a lifestyle that many outsiders find threatening, Ogbar makes hip-hop realer than it's ever been before."--Publisher's description. | ||
542 | _nAll rights reserved. | ||
650 | 0 |
_xSocial aspects. _91309 |
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650 | 0 |
_xPolitical aspects. _9982 |
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650 | 7 |
_zUSA. _2bicssc _911087 |
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650 | 7 |
_zUSA. _2bicssc _911087 |
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650 | 7 |
_2fast _0(OCoLC)fst00957237 |
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650 | 7 |
_xPolitical aspects. _2fast _0(OCoLC)fst01089955 _9982 |
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650 | 7 |
_xSocial aspects. _2fast _0(OCoLC)fst01089957 _91309 |
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610 | 2 | 7 |
_aHip Hop _2gnd _929565 |
650 | 7 | _2gnd | |
650 | 7 | _2gnd | |
610 | 2 | 7 |
_aUniversidad Sergio Arboleda _2gnd _929566 |
650 | 7 | _2gnd | |
651 | 7 |
_aUSA _2gnd |
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650 | 1 | 7 | _2gtt |
650 | 1 | 7 | _2gtt |
650 | 1 | 7 | _2gtt |
651 | 7 |
_aVerenigde Staten. _2gtt _929567 |
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650 | 7 |
_xsociété (milieu humain) _zEtats-Unis _y20e s. (fin) _x21e s. (début) _2rero _929568 |
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650 | 7 |
_xhip-hop _xpolitique _zEtats-Unis _y20e s. (fin) _x21e s. (début) _2rero _929569 |
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650 | 7 |
_xSocial aspects. _2sears _91309 |
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650 | 7 |
_xPolitical aspects. _2sears _9982 |
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650 | 7 | _2sears | |
655 | 4 | _aElectronic books. | |
733 | 0 |
_tACLS Humanities E-Book. _nURL: http://www.humanitiesebook.org/ |
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830 | 0 |
_aCulture America. _929570 |
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830 | 0 |
_aACLS Humanities E-Book. _929571 |
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856 | 4 | 0 |
_uhttps://hdl.handle.net/2027/heb34595 _zVolltext |
948 | _hHELD BY EYM - 793 OTHER HOLDINGS | ||
975 |
_c9780700615476 (hardcover) _d9780700616510 (paperback) |
||
942 | _cEB | ||
500 | _aE-Book-ACLS / Zugriff nur im DHI-Lesesaal | ||
653 | _aRap (Music) | ||
653 | _aRap (Music) | ||
653 | _aHip-hop. | ||
653 | _aHip-hop. | ||
653 | _aRap & hip-hop | ||
653 | _aCultural studies | ||
653 | _aHip-hop. | ||
653 | _aRap (Music) | ||
653 | _aRap (Music) | ||
653 | _aGesellschaft | ||
653 | _aPolitik | ||
653 | _aRap | ||
653 | _aHiphop. | ||
653 | _aSociale aspecten. | ||
653 | _aCulturele aspecten. | ||
653 | _ahip-hop | ||
653 | _aculture populaire | ||
653 | _aRap music | ||
653 | _aRap music | ||
653 | _aHip-hop culture. | ||
041 | _aeng | ||
500 | _aAmerican Council of Learned Societies/ https://www.humanitiesebook.org/about/ | ||
999 |
_c63814 _d63814 |