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008 231006s2022 xx o ||||0 eng d
020 _a9780520387096
_q(electronic bk.)
020 _z9780520344921
040 _aMiAaPQ
_beng
_cMiAaPQ
100 1 _aZitzewitz, Karin.
_927404
245 1 0 _aInfrastructure and form :
_bthe global networks of Indian contemporary art, 1991-2008.
_cKarin Zitzewitz
250 _a1st ed.
264 1 _aOakland :
_bUniversity of California Press,
_c2022.
264 4 _c©2022.
300 _a1 online resource (289 pages)
336 _aText
_btxt
_2rdacontent
337 _aComputermedien
_bc
_2rdamedia
338 _aOnline Resource
_bcr
_2rdacarrier
500 _aE-Book-ProQuest / Fernzugriff nach Registrierung möglich
505 0 _aCover -- Title Page -- Copyright -- Contents -- Acknowledgments -- Introduction -- 1. Feminist Networks, New Biennials, and Performance -- 2. Painting and the Image Condition at the Millennium -- 3. Materiality, Ephemerality, Haptics -- 4. Language, the Documentary, and Art in a Discursive Mode -- 5. Infrastructure, Collaboration, and the Cut -- Conclusion: Infrastructure Is Not (Only) a Metaphor -- Notes -- Bibliography -- List of Illustrations -- Index.
520 _aIn the 1990s and 2000s, contemporary art in India changed radically in form, as an art world once dominated by painting began to support installation, new media, and performance. In response to the liberalization of India's economy, art was cultivated by a booming market as well as by new nonprofit institutions that combined strong local roots and transnational connections. The result was an unprecedented efflorescence of contemporary art and growth of a network of institutions radiating out from India.   Among the first studies of contemporary South Asian art, Infrastructure and Form engages with sixteen of India's leading contemporary artists and art collectives to examine what made this development possible. Karin Zitzewitz articulates the connections among formal trajectories of medium and material, curatorial frames and networks of circulation, and the changing conditions of everyday life after economic liberalization. By untangling the complex interactions of infrastructure and form, the book offers a discussion of the barriers and conduits that continue to shape global contemporary art and its relationship to capital more broadly.
650 7 _2gnd
_aKunst
650 7 _aMalerei
650 7 _2gnd
_aGlobalisierung
651 7 _2gnd
_aIndien
_9439
653 _aArt, Indic-20th century.
653 _aArt, Indic-21st century.
653 _aPainting, Indic-20th century.
653 _aPainting, Indic-21st century.
655 4 _aElectronic books.
655 _aFernzugriff
_9230
776 0 8 _iPrint version:
_aZitzewitz, Karin
_tInfrastructure and Form
_dBerkeley : University of California Press,c2022
_z9780520344921
856 4 0 _uhttps://ebookcentral.proquest.com/lib/maxweberstiftung-ebooks/detail.action?docID=7021809
_zVolltext
942 _cEB
_2z
999 _c63470
_d63470