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001 | EBC7021809 | ||
003 | MiAaPQ | ||
005 | 20231006170343.0 | ||
007 | cr cnu|||||||| | ||
008 | 231006s2022 xx o ||||0 eng d | ||
020 |
_a9780520387096 _q(electronic bk.) |
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020 | _z9780520344921 | ||
040 |
_aMiAaPQ _beng _cMiAaPQ |
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100 | 1 |
_aZitzewitz, Karin. _927404 |
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245 | 1 | 0 |
_aInfrastructure and form : _bthe global networks of Indian contemporary art, 1991-2008. _cKarin Zitzewitz |
250 | _a1st ed. | ||
264 | 1 |
_aOakland : _bUniversity of California Press, _c2022. |
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264 | 4 | _c©2022. | |
300 | _a1 online resource (289 pages) | ||
336 |
_aText _btxt _2rdacontent |
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337 |
_aComputermedien _bc _2rdamedia |
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338 |
_aOnline Resource _bcr _2rdacarrier |
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500 | _aE-Book-ProQuest / Fernzugriff nach Registrierung möglich | ||
505 | 0 | _aCover -- Title Page -- Copyright -- Contents -- Acknowledgments -- Introduction -- 1. Feminist Networks, New Biennials, and Performance -- 2. Painting and the Image Condition at the Millennium -- 3. Materiality, Ephemerality, Haptics -- 4. Language, the Documentary, and Art in a Discursive Mode -- 5. Infrastructure, Collaboration, and the Cut -- Conclusion: Infrastructure Is Not (Only) a Metaphor -- Notes -- Bibliography -- List of Illustrations -- Index. | |
520 | _aIn the 1990s and 2000s, contemporary art in India changed radically in form, as an art world once dominated by painting began to support installation, new media, and performance. In response to the liberalization of India's economy, art was cultivated by a booming market as well as by new nonprofit institutions that combined strong local roots and transnational connections. The result was an unprecedented efflorescence of contemporary art and growth of a network of institutions radiating out from India.   Among the first studies of contemporary South Asian art, Infrastructure and Form engages with sixteen of India's leading contemporary artists and art collectives to examine what made this development possible. Karin Zitzewitz articulates the connections among formal trajectories of medium and material, curatorial frames and networks of circulation, and the changing conditions of everyday life after economic liberalization. By untangling the complex interactions of infrastructure and form, the book offers a discussion of the barriers and conduits that continue to shape global contemporary art and its relationship to capital more broadly. | ||
650 | 7 |
_2gnd _aKunst |
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650 | 7 | _aMalerei | |
650 | 7 |
_2gnd _aGlobalisierung |
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651 | 7 |
_2gnd _aIndien _9439 |
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653 | _aArt, Indic-20th century. | ||
653 | _aArt, Indic-21st century. | ||
653 | _aPainting, Indic-20th century. | ||
653 | _aPainting, Indic-21st century. | ||
655 | 4 | _aElectronic books. | |
655 |
_aFernzugriff _9230 |
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776 | 0 | 8 |
_iPrint version: _aZitzewitz, Karin _tInfrastructure and Form _dBerkeley : University of California Press,c2022 _z9780520344921 |
856 | 4 | 0 |
_uhttps://ebookcentral.proquest.com/lib/maxweberstiftung-ebooks/detail.action?docID=7021809 _zVolltext |
942 |
_cEB _2z |
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999 |
_c63470 _d63470 |