000 | 02951nam a22003973i 4500 | ||
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001 | EBC5347709 | ||
003 | MiAaPQ | ||
005 | 20230219204017.0 | ||
007 | cr cnu|||||||| | ||
008 | 230216s2018 xx o ||||0 eng d | ||
020 |
_a9781442630321 _q(electronic bk.) |
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020 | _z9781442630314 | ||
040 |
_aMiAaPQ _beng _cMiAaPQ |
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100 | 1 |
_aManderson, Desmond. _920610 |
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245 | 1 | 0 |
_aLaw and the Visual : _bRepresentations, Technologies, Critique. _cDesmond Manderson |
250 | _a1st ed. | ||
264 | 1 |
_aToronto : _bUniversity of Toronto Press, _c2018. |
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264 | 4 | _c©2018. | |
300 | _a1 online resource (376 pages) | ||
336 |
_aText _btxt _2rdacontent |
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337 |
_aComputermedien _bc _2rdamedia |
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338 |
_aOnline Resource _bcr _2rdacarrier |
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500 | _aE-Book-ProQuest / Fernzugriff nach Registrierung möglich | ||
505 | 0 | _aCover -- Copyright -- Contents -- Introduction: Imaginal Law -- Part One: Representations - The Origins of Legal Modernity from the Sixteenth to the Nineteenth Centuries -- 1: Blindness Visible: Law, Time, and Bruegel's Justice -- 2: Faces and Frames of Government -- 3: An Emblematic Representation of Law: Hogarth and the Engravers' Act -- 4: Law and the Revolutionary Motif after Jacques-Louis David -- 5: Legal Imagery on the Edge of Symbolism: The Decoration Projects for the Belgian Cour de Cassation -- 6: The Visual Force of Justice in the Making of Liberia -- Part Two: Technologies - Excesses of Legal Modernity in the Twentieth Century -- 7: "You Will See My Family Became So American": Race, Citizenship, and the Visual Archive -- 8: From Sentimentality to Sadism: Visual Genres of Asylum Seeking -- 9: Images of Victims: The ECCC and the Cambodian Genocide Museum -- 10: The Exceptional Image: Torture Photographs from Guantánamo Bay and Abu Ghraib as Foucault's Spectacle of Punishment -- Part Three: Critique - Irony and Legal Modernity in the Twenty-First Century -- 11: T-Shirt's Guevara: The Visual Jurisprudence of the New Man -- 12: The Art of Bureaucracy: Redacted Ready-mades -- 13: Illicit Interventions in Public Non-Spaces: Unlicensed Images -- 14: What Authorizes the Image? The Visual Economy of Post-Secular Jurisprudence -- Contributors -- Index. | |
520 | _aIn Law and the Visual, leading legal theorists, art historians, and critics come together to present new work examining the intersection between legal and visual discourses. | ||
650 | 4 |
_aRecht _9913 |
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650 | 4 |
_aDokumentarfotografie _920794 |
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650 | 4 |
_aGerechtigkeit _920791 |
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650 | 4 |
_aFotografie _920792 |
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650 | 4 |
_aDokumentarfotografie _920793 |
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655 | 4 | _aElectronic books. | |
655 |
_aFernzugriff _9230 |
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776 | 0 | 8 |
_iPrint version: _aManderson, Desmond _tLaw and the Visual _dToronto : University of Toronto Press,c2018 _z9781442630314 |
856 | 4 | 0 |
_uhttps://ebookcentral.proquest.com/lib/maxweberstiftung-ebooks/detail.action?docID=5347709 _zVolltext |
942 |
_cEB _2z |
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999 |
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