000			03254nam a22004573i 4500
001			EBC6628915
003			MiAaPQ
005			20230123125513.0
007			cr cnu||||||||
008			230119s2021 xx o ||||0 eng d
020			_a9781000408195 _q(electronic bk.)
020			_z9780367566487
040			_aMiAaPQ _beng _cMiAaPQ
245	1	0	_aBritish art and the environment _bchanges, challenges, and responses since the Industrial Revolution _cedited by Charlotte Gould and Sophie Mesplède
264		1	_aMilton : _bTaylor & Francis Group, _c2021.
264		4	_c©2021.
300			_a1 online resource (259 pages)
336			_aText _btxt _2rdacontent
337			_aComputermedien _bc _2rdamedia
338			_aOnline Resource _bcr _2rdacarrier
490	1		_aBritish Art: Histories and Interpretations Since 1700
500			_aE-Book-ProQuest / Fernzugriff nach Registrierung möglich
505	0		_aCover -- Half Title -- Series -- Title -- Copyright -- Contents -- List of Figures -- List of Contributors -- Acknowledgements -- Introduction -- Part 1 From the Claude Glass to Drones: Framing Environmental Encounters -- 1 Vehicles of Truth: Portable Studios and Nineteenth-Century British Landscape Painting, 1856-1885 -- 2 Painting Fog: James Abbott McNeill Whistler's Blurred Visions of the London Atmosphere -- 3 Aerial Ontologies -- 4 An Interview with Tim Martin -- Part 2 Areas of Outstanding Industrial Beauty? A Layered History of Reappropriation and Profitability -- 5 "It's Grim Up North": Depicting Mutations and Shifting Perceptions of Industrial Landscapes in the North of England -- 6 "Our Oil": Our Waves? Environment, Energy Transition, and Art in Twenty-First-Century Scotland -- 7 Managing Arcadia: From the King's Cross Estate to the Bretton Estate -- 8 An Interview with Adrian George -- Part 3 Decentering Human Vision: Art in a Shared Environment -- 9 Pursuing Natural Beauty: The Artist as a Hunter in Eighteenth-Century British Art -- 10 "A New and Unforeseen Creation": Turner, English Landscape, and the Anthropo(s)cene -- 11 The Human Landscape: John Ruskin, Drawing, and Colour -- 12 A Matter of Time: Transformative Sculptures by Marc Quinn, Zuzanna Janin, Anya Gallaccio, and Andy Goldsworthy -- 13 Brexit, Gender, and Northern Ireland's Supernatural Landscape: Ursula Burke's "A False Dawn" and Candida Powell-Williams' "Command Lines" -- Afterword -- Index.
650		4	_aKunst _919755
650		4	_aUmweltschutz _9201
650		4	_aÖkologie _96288
650		4	_aLandschaftsschutz _919756
651		4	_aGroßbritannien
653			_aHuman ecology in art.
653			_aArt, British-Themes, motives.
655		4	_aElectronic books.
655			_aFernzugriff _9230
700	1		_aGould, Charlotte. _4edt _eeditor _919513
700	1		_aMesplède, Sophie. _4edt _eeditor _919582
776	0	8	_iPrint version: _aGould, Charlotte _tBritish Art and the Environment _dMilton : Taylor & Francis Group,c2021 _z9780367566487
830		0	_aBritish Art: Histories and Interpretations Since 1700 _919516
856	4	0	_uhttps://ebookcentral.proquest.com/lib/maxweberstiftung-ebooks/detail.action?docID=6628915 _zVolltext
942			_cEB _2z
999			_c61507 _d61507