000			03244nam a22004453i 4500
001			EBC6606092
003			MiAaPQ
005			20230126165321.0
007			cr cnu||||||||
008			230119s2021 xx o ||||0 eng d
020			_a9789004458840 _q(electronic bk.)
020			_z9789004458468
040			_aMiAaPQ _beng _cMiAaPQ
111	2		_aSymposium Sculpture Collecting and Display, 1600-2000 |d 2017 |c |j _cNew York, NY _d2017 _jVerfasser _919876
245	1	0	_aSculpture collections in Europe and the United States 1500-1930 : _bvariety and ambiguity _cedited by Malcolm Baker, Inge Reist
264		1	_aLeiden ; Boston : _bBrill, _c2021.
264		4	_c©2021.
300			_a1 online resource (358 pages)
336			_aText _btxt _2rdacontent
337			_aComputermedien _bc _2rdamedia
338			_aOnline Resource _bcr _2rdacarrier
490			_aStudies in the history of collecting&art markets ; _v10
500			_aE-Book-ProQuest / Fernzugriff nach Registrierung möglich
505	0		_aIntro -- Contents -- Foreword -- Illustrations -- Contributors -- Variety and Ambiguity: What Do We Mean by a "Sculpture Collection"? -- Part 1 Sculpture in the Kunstkammer: Contexts, Formation, and Dispersal -- Chapter 2 The Collecting of Small Bronze Sculptures in Late Renaissance Italy: The Canonici Collection -- Chapter 3 Shifting Perceptions and Changing Frameworks: The Case of Francis van Bossuit and the Place of Small-Scale Sculpture in Ivory in the Sculpture Collection -- Part 2 Garden Sculptures as Collections -- Chapter 4 Gentlemen Prefer Bronze: Garden Sculpture and Sculpture Gardens in Britain (1720-1860) -- Chapter 5 The Sculpture Gardens of Versailles, Marly, and Dresden: Magnificence and Its Limits -- Part 3 The Sculpture Gallery and Dedicated Spaces for Sculpture -- Chapter 6 The 'Gallerie du S.r Girardon Sculpteur Ordinaire du Roy' -- Chapter 7 Porcelain as Sculpture: Medium, Materiality, and the Categories of Eighteenth-Century Collecting -- Chapter 8 Art and Nature: The Country House Sculpture Gallery in the Post-Napoleonic Period -- Part 4 The Changing Place of Sculpturein the Public Museum -- Chapter 9 The Public Art Gallery as Arena for Modern Sculpture -- Chapter 10 Displaying Deceit: Alceo Dossena's Tomb of Maria Catharina Sabello at the Museum of Fine Arts, Boston -- Chapter 11 The Legacy of William Valentiner in Shaping the Display and Collecting of European Sculpture in American Museums, 1900-Present: Case Studies -- Bibliography -- Index.
650		4	_aPlastik _919870
650		4	_aSammlung _919871
650		4	_aMuseum
650		4	_aSkulpturenpark _919872
650		4	_aKunstsammler _919873
651		4	_aEuropa _919874
651		4	_aUSA
655		4	_aElectronic books.
655			_aFernzugriff _9230
700	1		_a Baker, Malcolm _4edt _eeditor _919877
700	1		_aReist, Inge. _4edt _eeditor
776	0	8	_iPrint version: _aBaker, Malcolm _tSculpture Collections in Europe and the United States 1500-1930 _dBoston : BRILL,c2021 _z9789004458468
830		0	_aStudies in the history of collecting&art markets _919878
856	4	0	_uhttps://ebookcentral.proquest.com/lib/maxweberstiftung-ebooks/detail.action?docID=6606092 _zVolltext
942			_cEB _2z
999			_c61504 _d61504