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020			_a9780190236991 _q(electronic bk.)
020			_z9780190236984
040			_aMiAaPQ _beng _cMiAaPQ
245	1	0	_aAnalytical essays on music by women composers _nVolume 2 _pConcert music, 1900-1960 _cedited by Laurel Parsons and Brenda Ravenscroft
264		1	_aOxford : _bOxford University Press, Incorporated, _c2022.
264		4	_c©2022.
300			_a1 online resource (297 pages)
336			_aText _btxt _2rdacontent
337			_aComputermedien _bc _2rdamedia
338			_aOnline Resource _bcr _2rdacarrier
500			_aE-Book-ProQuest / Fernzugriff nach Registrierung möglich
505	0		_aCover -- Analytical Essays on Music by Women Composers -- Copyright -- Contents -- Acknowledgments -- About the Companion Website -- Chapter 1. Introduction -- Part I: Music for Voice -- Chapter 2. Alma Mahler-​Werfel, "Licht in der Nacht" (1901) -- Searching for the Light: Harmonic Cycles and Feedback Loops in Alma Mahler-​Werfel's "Licht in der Nacht" -- Chapter 3. Rebecca Clarke, "Tiger, Tiger" (1933) -- Extended Tonality and Text-​Setting in Rebecca Clarke's "Tiger, Tiger" -- Chapter 4. Ethel Smyth, The Boatswain's Mate (1913-​14) -- A Wrinkle? Gender and Motive in Ethel Smyth's The Boatswain's Mate -- Chapter 5. Ruth Crawford, "To an Angel" from Chants for Women's Chorus (1930) -- "Not Yet Accepted as Singing": Ruth Crawford's "To an Angel" from Chants for Women's Chorus -- Part II: Instrumental Music -- Chapter 6. Florence B. Price, Piano Sonata in E minor (1932) -- Culture and Craft in Florence Price's Piano Sonata in E minor (First Movement) -- Chapter 7. Galina Ustvolskaya, Sonata for Violin and Piano (1952) -- Motivic Patterns, Repetition, and Formal Structures in Galina Ustvolskaya's Sonata for Violin and Piano -- Chapter 8. J. M. Beyer, String Quartet No. 2 (1933-​34) -- Imagination and Method: J. M. Beyer's String Quartet No. 2 -- Chapter 9. Peggy Glanville-​Hicks, Sinfonia da Pacifica (1952-​53) -- Avant-​Garde or Postmodern? The Melody-​Rhythm Concept in Peggy Glanville-​Hicks's Sinfonia da Pacifica -- Glossary -- Bibliography -- Index.
520			_aIn Analytic Essays on Music by Women Composers: Concert Music, 1900-1960, editors Laurel Parsons and Brenda Ravenscroft collect innovative reinterpretations of women composers' work over the first half of the twentieth century.
655			_aFernzugriff _9230
700	1		_aParsons, Laurel. _918780 _4edt _eeditor
700	1		_aRavenscroft, Brenda. _918781 _4edt _eeditor
773	0	8	_qVolume 2 _w1585067644
856	4	0	_uhttps://ebookcentral.proquest.com/lib/maxweberstiftung-ebooks/detail.action?docID=7075580 _zVolltext
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