000 | 03241nam a22003613i 4500 | ||
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001 | EBC6942510 | ||
003 | MiAaPQ | ||
005 | 20220524112403.0 | ||
007 | cr cnu|||||||| | ||
008 | 220506s2022 xx o ||||0 eng d | ||
020 |
_a9781108922814 _q(electronic bk.) |
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020 | _z9781108843867 | ||
040 |
_aMiAaPQ _beng _cMiAaPQ |
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245 | 1 | 0 |
_aItalian Opera in Global and Transnational Perspective : _bReimagining Italianità in the Long Nineteenth Century. _c edited by Axel Körner ; Paulo M. Kühl |
264 | 1 |
_aCambridge : _bCambridge University Press, _c2022. |
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264 | 4 | _c{copy}2022. | |
300 | _a1 online resource (342 pages) | ||
336 |
_aText _btxt _2rdacontent |
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337 |
_aComputermedien _bc _2rdamedia |
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338 |
_aOnline Resource _bcr _2rdacarrier |
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500 | _aE-Book-ProQuest / Fernzugriff nach Registrierung möglich | ||
505 | 0 | _aCover -- Half-title page -- Title page -- Copyright page -- Contents -- List of Figures -- List of Tables -- List of Examples -- Notes on Contributors -- Preface and Acknowledgements -- 1 Opera and Italianità in Transnational and Global Perspective: An Introduction -- 2 Giving Singers a Voice: The Italian Opera Company and the Press in Rio de Janeiro, 1820-1831 -- 3 Nina d'Aubigny's 'Italian Voice': A Musical Projection Screen in German National Discourse -- 4 Italian Opera and Creole Identities: Manuel García in Independent Mexico (1826-1829) -- 5 Italian Opera in Vormärz Vienna: Gaetano Donizetti, Bartolomeo Merelli and Habsburg Cultural Policies in the Mid-1830s -- 6 Southern Exchanges: Italian Opera in New Orleans, 1836-1842 -- 7 'For a Moment, I Felt Like I Was Back in Italy': Early South American Experiences of Italian Opera Singers (1840-1860) -- 8 Reimagining Rossini: Obituaries as Transnational Narratives of Italian Opera -- 9 From Heaven and Hell to the Grail Hall via Sant'Andrea della Valle: Religious Identity and the Internationalisation of Operatic Styles in Liberal Italy -- 10 Arcadia Undone: Teresa Carreño's 1887 Italian Opera Company in Caracas -- 11 Italian Impresarios, American Minstrels and Parsi Theatre: Sonic Networks and the Negotiation of ​Opera in Colonial South and South East Asia -- 12 German National Identity and Operatic Italianità: Franchetti's and Leoncavallo's Operas on German Myths -- 13 (Opera) Fever in Belle Époque Manaus: Italianità at the Teatro Amazonas, 1897-1907 -- 14 Between 'Sung Theatre' and Asakusa Opera: In Search of Italianità in Early Japanese Opera History -- 15 Epilogue -- Index. | |
520 | _aInvestigates how operatic presentations of Italian identity evolved as Italian opera was performed for nineteenth-century audiences around the world. | ||
650 | 4 |
_aOper _92226 |
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651 | 4 |
_aItalien _9402 |
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655 | 4 | _aElectronic books. | |
655 |
_aFernzugriff _9230 |
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700 | 1 |
_aKörner, Axel. _96393 _4edt _eeditor |
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700 | 1 |
_aKühl, Paulo M. _96394 _4edt _eeditor |
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776 | 0 | 8 |
_iPrint version: _aKörner, Axel _tItalian Opera in Global and Transnational Perspective _dCambridge : Cambridge University Press,c2022 _z9781108843867 |
856 | 4 | 0 |
_uhttps://ebookcentral.proquest.com/lib/maxweberstiftung-ebooks/detail.action?docID=6942510 _zVolltext |
942 |
_cEB _2z |
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999 |
_c59960 _d59960 |