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001			EBC6787226
003			MiAaPQ
005			20220412201828.0
007			cr cnu||||||||
008			220411s2021 xx o ||||0 eng d
020			_a9781800103511 _q(electronic bk.)
020			_z9781783276479
040			_aMiAaPQ _beng _cMiAaPQ
245	1	0	_aBritish music, musicians and institutions : _b essays in honour of Harry Diack Johnstone. _cedited by Peter Lynan and Julian Rushton
264		1	_aWoodbridge : _bBoydell & Brewer, Incorporated, _c2021.
264		4	_c©2021.
300			_a1 online resource (317 pages)
336			_aText _btxt _2rdacontent
337			_aComputermedien _bc _2rdamedia
338			_aOnline Resource _bcr _2rdacarrier
490	1		_aMusic in Britain, 1600-2000 Ser. ; _vv.28
500			_aE-Book-ProQuest / Fernzugriff nach Registrierung möglich
505	0		_aBritish Music, Musicians and Institutions, c.1630-1800 -- Contents -- Illustrations -- Music Examples -- Contributors -- Acknowledgements -- Abbreviations -- Note to the Reader -- Introduction -- Part I: Performers and Performance Style -- Henry, Elizabeth, and George -- Wilhelm Cramer, the Professional Concert, and the Foundation of the Modern Symphony Orchestra -- Thomas Vincent (1723-1798) -- J.C. Bach and the 'true Organ Style' -- Part II: Composers and Secular Institutions -- Henry Purcell's Mad Songs in the Theatre and Concert Rooms in the Eighteenth Century -- From 'Fowle Originall' to 'Printed for the Author' -- James Lates of Oxford and his Sixteen Minuets -- William Hayes (1708-1777), Professor of Music -- Part III: Sacred Music and Institutions -- Music and Musicians at Westminster Abbey, 1685-1760 -- Catholic Church Music in Eighteenth-Century Britain -- Precedents for the Symphony Anthem -- Part IV: Dissemination: Copying, Printing, and Publishing -- 'You can't have it of Smith except you'll have it wrote out on Purpose' -- The Earliest Surviving Engraved Music Plates? -- Epilogue: Musica Britannica and the Eighteenth Century -- Harry Diack Johnstone: A Tribute -- Bibliography of the Publications of Harry Diack Johnstone -- Index -- Tabula Gratulatorium.
520			_aBuilding upon the developing picture of the importance of British music, musicians and institutions during the eighteenth century, this book investigates the themes of composition, performance (amateur and professional) and music-printing, within the wider context of social, religious and secular institutions.
651		4	_aGroßbritannien _9173
655		4	_aElectronic books.
655			_aFernzugriff _9230
700	1		_aLynan, Peter _4edt _eeditor _95416
700	1		_aRushton, Julian _4edt _eeditor _95417
700	1		_aJohnstone, Harry Diack _4hnr _eGefeierteR _95507
776	0	8	_iPrint version: _aLynan, Peter _tBritish Music, Musicians and Institutions, C. 1630-1800 _dWoodbridge : Boydell & Brewer, Incorporated,c2021 _z9781783276479
830		0	_aMusic in Britain, 1600-2000 Ser. _95422
856	4	0	_uhttps://ebookcentral.proquest.com/lib/maxweberstiftung-ebooks/detail.action?docID=6787226 _zVolltext
942			_cEB _2z
999			_c59721 _d59721