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245	1	0	_aSoviet music and society under Lenin and Stalin _bthe baton and sickle _cNeil Edmunds
264		1	_aLondon _bTaylor & Francis Ltd _c2009
300			_a244 Seiten
336			_aText _btxt _2rdacontent
337			_aohne Hilfsmittel zu benutzen _bn _2rdamedia
338			_aBand _bnc _2rdacarrier
490			_aBASEES/Routledge Series on Russian and East European Studies _vBand 9
505			_aAcknowledgements A Note about Transliteration List of Contributors Introduction Neil Edmunds 1. Music in the Socialist State Anna Ferenc 2. The Ways of Russian Popular Music to 1953 Richard Stites 3. Declared Dead, but only Provisionally: Shostakovich, Soviet Music-hall and Uslovno Ubityi Gerard McBurney 4. From the Factory to the Flat: Thirty Years of the Song of the Counterplan John Riley 5. Prokofiev's Le Pas d'Acier: How the Steel was Tempered Lesley-Anne Sayers and Simon Morrison 6. 'Lenin is always with us': Soviet Musical Propaganda and its Composers during the 1920s Neil Edmunds 7. Amateurs and Enthusiasts: Folk Music and the Soviet State on Stage in the 1930s Robin LaPasha 8. National Identity, Culture Policy and the Soviet Folk Ensemble in Armenia Andy Nercessian 9. Going Beyond the Border: National Cultural Policy and the Development of Musical Life in Soviet Karelia, 1920-1940 Pekka Suutari 10. A Nation on Stage: Music and the 1936 Festival of Kazak Arts Michael Rouland 11. Uzeyir Hajibeyov and his role in the Development of Musical Life in Azerbaidzhan Matt O'Brien
520			_aThis book investigates the place of music in Soviet society during the eras of Lenin and Stalin. It examines the different strategies adopted by composers and musicians in their attempts to carve out careers in a rapidly evolving society, discusses the role of music in Soviet society and people's lives, and shows how political ideology proved an inspiration as well as an inhibition. It explores how music and politics interacted in the lives of two of the twentieth century's greatest composers - Shostakovich and Prokofiev - and also in the lives of less well-known composers. In addition it considers the specialist composers of early Soviet musical propaganda, amateur music making, and musical life in the non-Russian republics. The book will appeal to specialists in Soviet music history, those with an interest in twentieth century music in general, and also to students of the history, culture and politics of the Soviet Union.
600	1	7	_2gnd _aProkofʹev, Sergej Sergeevič _92225
600	1	7	_2gnd _aŠostakovič, Dmitrij Dmitrievič _94021
648			_a1917-1953 _94026
650		7	_2gnd _aMusiksoziologie _94022
650		7	_2gnd _aMusiker _94023
650		7	_2gnd _aKomponist _94024
651		7	_2gnd _aSowjetunion _9127
700	1		_aEdmunds, Neil _4edt _eEditor _94025
942			_cMG _2z
999			_c58604 _d58604