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World socialist cinema : alliances, affinities, and solidarities in the global cold war / Masha Salazkina

Von: Salazkina, Masha [VerfasserIn]Materialtyp: TextTextSprache: Englisch Reihen: Cinema Cultures in Contact ; 4Verlag: Oakland, California : University of California Press, 2023Copyright-Datum: ©2023Beschreibung: 1 Online-Ressource (370 Seiten) IllustrationenInhaltstyp: Text Medientyp: Computermedien Datenträgertyp: Online ResourceISBN: 9780520393769Schlagwörter: 1968-1979 | Filmfestspiel | Entwicklungsländer | Film | Sozialismus | TaschkentGenre/Form: Open AccessOnline-Ressourcen: frei zugänglich | frei zugänglich
Inhalte:
Frontmatter
Contents
List of Abbreviations
Acknowledgments
Introduction
1. Setting the Stage for Soviet and Afro-Asian Solidarity at Tashkent
2. Tashkent 1968
3. Tashkent 1972–1980
4. Tashkent Festival Critical Discourses
5. The Woman Question at Tashkent and World Socialist (Women’s) Cinema
6. World Cinema of Socialist Industrial Modernity
7. Cultural Heritage in World Socialist Cinema
8. World Socialist Cinema of Armed Struggle
Notes
Bibliography
Index
Zusammenfassung: A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more.World Socialist Cinema: Alliances, Affinities, and Solidarities in the Global Cold War reconstructs the circulation of international film between the Soviet Bloc and the countries of the Global South in the mid- to late twentieth century. The book examines the vast body of work screened at the Tashkent International Festival of Cinemas of Asia, Africa, and Latin America, which took place in Soviet Uzbekistan throughout the 1970s and 1980s. From this point of departure, Masha Salazkina proposes a new distinct formation—world socialist cinema: a film history emerging from the Global South that provides an alternative to Eurocentric, national, and regional narratives
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E-Book / Open Access

Frontmatter

Contents

List of Abbreviations

Acknowledgments

Introduction

1. Setting the Stage for Soviet and Afro-Asian Solidarity at Tashkent

2. Tashkent 1968

3. Tashkent 1972–1980

4. Tashkent Festival Critical Discourses

5. The Woman Question at Tashkent and World Socialist (Women’s) Cinema

6. World Cinema of Socialist Industrial Modernity

7. Cultural Heritage in World Socialist Cinema

8. World Socialist Cinema of Armed Struggle

Notes

Bibliography

Index

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A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more.World Socialist Cinema: Alliances, Affinities, and Solidarities in the Global Cold War reconstructs the circulation of international film between the Soviet Bloc and the countries of the Global South in the mid- to late twentieth century. The book examines the vast body of work screened at the Tashkent International Festival of Cinemas of Asia, Africa, and Latin America, which took place in Soviet Uzbekistan throughout the 1970s and 1980s. From this point of departure, Masha Salazkina proposes a new distinct formation—world socialist cinema: a film history emerging from the Global South that provides an alternative to Eurocentric, national, and regional narratives

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