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Time and presence in art : moments of encounter (200-1600 CE). / edited by Armin Bergmeier and Andrew Griebeler

Mitwirkende(r): Bergmeier, Armin [editor] | Griebeler, Andrew [editor]Materialtyp: TextTextSprache: EnglischReihen: Sense, Matter, and Medium ; v.5 | Sense, Matter, and Medium SerVerlag: Berlin/Boston : Walter de Gruyter GmbH, 2022Copyright-Datum: ©2022Beschreibung: 1 online resource (270 pages)Inhaltstyp: Text Medientyp: Computermedien Datenträgertyp: Online ResourceISBN: 9783110722079Schlagwörter: Museumspädagogik | Zeit | Anwesenheit | KunstGenre/Form: | FernzugriffAndere physische Formen: Print version: : Time and Presence in ArtOnline-Ressourcen: Volltext
Inhalte:
Intro -- Acknowledgements -- Contents -- List of Illustrations -- Author Biographies -- 'What Then is Time?' Present and Presence. An Introduction -- I Temporality, Presence, and Writing Art History -- 1 Art History's Transgressive Temporalities -- 2 Bild und Präsenz: An Interview with Hans Belting -- II Time and Presence in the Middle Ages -- 3 The Appointed Time: Early Islamic Temporality and the Haram al-Sharif in Jerusalem -- 4 The Shape of Time: Aligning the Medieval Present with the Biblical Past in the Diagrams of Opicinus de Canistris (1296-ca. 1352) -- 5 The Paduan Baptistery: A Case Study on the Interrelations of Time and Image in the Fourteenth Century -- 6 Pointing to a Deeper Now: Time, Sound, Touch, and the Devotional Present in Fifteenth-Century Northern Europe -- III Encountering Past Presents -- 7 Timing Lepanto in Venetian Visual Culture: The Making of Present Past in the 1570s -- 8 The Uncanny Encounter -- 9 Engaging Spaces: Matteo Giovannetti's Frescoes at the Papal Court of Avignon -- 10 Experiencing the Present (and Past) Through the Body: Pilgrimage as a Tool for Transforming Time, and the Migrating Art Historians Project -- IV Experiencing Presence in Museum Education -- 11 Beyond Interpretation: A Brief Case for Presence at the Heart of Art Museum Education -- 12 Radiant Dialogue: Discovering Piero's Crucifixion in The Frick Collection -- 13 Dialogue on Dialogues: Rika Burnham and Nathaniel Prottas in Conversation -- Index.
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Intro -- Acknowledgements -- Contents -- List of Illustrations -- Author Biographies -- 'What Then is Time?' Present and Presence. An Introduction -- I Temporality, Presence, and Writing Art History -- 1 Art History's Transgressive Temporalities -- 2 Bild und Präsenz: An Interview with Hans Belting -- II Time and Presence in the Middle Ages -- 3 The Appointed Time: Early Islamic Temporality and the Haram al-Sharif in Jerusalem -- 4 The Shape of Time: Aligning the Medieval Present with the Biblical Past in the Diagrams of Opicinus de Canistris (1296-ca. 1352) -- 5 The Paduan Baptistery: A Case Study on the Interrelations of Time and Image in the Fourteenth Century -- 6 Pointing to a Deeper Now: Time, Sound, Touch, and the Devotional Present in Fifteenth-Century Northern Europe -- III Encountering Past Presents -- 7 Timing Lepanto in Venetian Visual Culture: The Making of Present Past in the 1570s -- 8 The Uncanny Encounter -- 9 Engaging Spaces: Matteo Giovannetti's Frescoes at the Papal Court of Avignon -- 10 Experiencing the Present (and Past) Through the Body: Pilgrimage as a Tool for Transforming Time, and the Migrating Art Historians Project -- IV Experiencing Presence in Museum Education -- 11 Beyond Interpretation: A Brief Case for Presence at the Heart of Art Museum Education -- 12 Radiant Dialogue: Discovering Piero's Crucifixion in The Frick Collection -- 13 Dialogue on Dialogues: Rika Burnham and Nathaniel Prottas in Conversation -- Index.

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