Television in black-and-white America : race and national identity / Alan Nadel.

По: Nadel, Alan, 1947- [author.]Тип материала: ТекстТекстЯзык: English (английский язык) Серия: Culture America | ACLS Humanities E-BookИздатель: Lawrence : University Press of Kansas, [2005]Дата авторского права: ©2005Описание: 1 online resource (224 pages) : illustrationsВид содержания: Text Средство доступа: Computermedien Тип носителя: Online ResourceТематика(и): -- Social aspects -- United States | United States -- Race relations -- History -- 20th century | Black people on television | White people on television | Television broadcasting | National characteristics, AmericanЖанр/форма: Электронное местонахождение и доступ: Volltext
Содержание:
1. Black Bodies, White Space, and a Televisual Nation -- 2. Television, Reality, and Cold War Citizenship -- 3. Disneyland, the Interstate, and National Space -- 4. The Adult Western and the Western Bloc -- 5. Rebel Integrity, Southern Injustice, and Civil Rights -- 6. The New Frontier -- Conclusion.
Обзор: "Alan Nadel's new book reminds us that most of the images on early TV were decidedly Caucasian and directed at predominantly white audiences. Television did not invent whiteness for America, but it did reinforce it as the norm - particularly during the Cold War years. Nadel now shows just how instrumental it was in constructing a narrow, conservative, and very white vision of America." "During this era, prime-time TV was dominated by "adult Westerns," with heroes like The Rebel's Johnny Yuma reincarnating Southern values and Bonanza's Cartwright family reinforcing the notion of white patriarchy - programs that, Nadel shows, bristled with Cold War messages even as they spoke to the nation's mythology. America had become visually reconfigured as a vast Ponderosa, crisscrossed by concrete highways designed to carry suburban white drivers beyond the moral challenge of racism, racial poverty, and increasingly vocal civil rights demands."--Jacket.
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Reprinted in 2021.

Includes bibliographical references (pages 201-209) and index.

1. Black Bodies, White Space, and a Televisual Nation -- 2. Television, Reality, and Cold War Citizenship -- 3. Disneyland, the Interstate, and National Space -- 4. The Adult Western and the Western Bloc -- 5. Rebel Integrity, Southern Injustice, and Civil Rights -- 6. The New Frontier -- Conclusion.

"Alan Nadel's new book reminds us that most of the images on early TV were decidedly Caucasian and directed at predominantly white audiences. Television did not invent whiteness for America, but it did reinforce it as the norm - particularly during the Cold War years. Nadel now shows just how instrumental it was in constructing a narrow, conservative, and very white vision of America." "During this era, prime-time TV was dominated by "adult Westerns," with heroes like The Rebel's Johnny Yuma reincarnating Southern values and Bonanza's Cartwright family reinforcing the notion of white patriarchy - programs that, Nadel shows, bristled with Cold War messages even as they spoke to the nation's mythology. America had become visually reconfigured as a vast Ponderosa, crisscrossed by concrete highways designed to carry suburban white drivers beyond the moral challenge of racism, racial poverty, and increasingly vocal civil rights demands."--Jacket.

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