Picturing the New Negro : Harlem Renaissance print culture and modern black identity / Caroline Goeser.

По: Goeser, Caroline [author.]Тип материала: ТекстТекстЯзык: English (английский язык) Серия: Culture America | ACLS Humanities E-BookИздатель: Lawrence, Kansas : University Press of Kansas, [2007]Дата авторского права: ©2007Описание: 1 online resource (xiv, 360 pages) : illustrationsВид содержания: Text Средство доступа: Computermedien Тип носителя: Online ResourceТематика(и): -- New York (State) -- New York -- 20th century | -- New York (State) -- New York -- 20th century | -- New York (State) -- New York | African Americans in art | Illustration of books | Magazine illustration | African American illustrators | Harlem RenaissanceЖанр/форма: Электронное местонахождение и доступ: Volltext
Содержание:
Introduction : making black modern in the medium of illustration -- An overview of Harlem Renaissance illustrations and their reception. Strategizing from spaces between : Aaron Douglas and the art of illustrating ; From racial uplift to vernacular expression : commercial and little magazine illustrations ; "Worth the price of the book" : dust jacket and book illustrations ; Critical ambivalence : illustration's reception in print -- Critical themes in Harlem Renaissance illustration. Remaking the past, making the modern : race, gender, and the modern economy ; Religion as "power site of cultural resistance" ; Black and tan : racial and sexual crossings in Ebony and topaz ; "To smile satirically" : on wearing the minstrel mask -- A brief conclusion : on making black modern during the Renaissance and beyond.
Обзор: "This innovative study examines the efforts of Harlem Renaissance artists and writers to create a hybrid expression of black identity that drew on their ancient past while participating in contemporary American culture. Caroline Goeser investigates a critical component of Harlem Renaissance print culture that until now has been largely overlooked, arguing that illustrations became the most timely and often most radical visual products of the movement."--Jacket.
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Includes bibliographical references (pages 305-350) and index.

Introduction : making black modern in the medium of illustration -- An overview of Harlem Renaissance illustrations and their reception. Strategizing from spaces between : Aaron Douglas and the art of illustrating ; From racial uplift to vernacular expression : commercial and little magazine illustrations ; "Worth the price of the book" : dust jacket and book illustrations ; Critical ambivalence : illustration's reception in print -- Critical themes in Harlem Renaissance illustration. Remaking the past, making the modern : race, gender, and the modern economy ; Religion as "power site of cultural resistance" ; Black and tan : racial and sexual crossings in Ebony and topaz ; "To smile satirically" : on wearing the minstrel mask -- A brief conclusion : on making black modern during the Renaissance and beyond.

"This innovative study examines the efforts of Harlem Renaissance artists and writers to create a hybrid expression of black identity that drew on their ancient past while participating in contemporary American culture. Caroline Goeser investigates a critical component of Harlem Renaissance print culture that until now has been largely overlooked, arguing that illustrations became the most timely and often most radical visual products of the movement."--Jacket.

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