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Intro -- Half Title -- Series Page -- Title Page -- Copyright Page -- Contents -- List of Illustrations -- Notes on Contributors -- Acknowledgments -- Introduction: Things Change -- Chapter 1: "A Sort of Picture or Image of my Self": Amoy Chin Qua's Almost Ancestral Portrait of Joseph Collet -- Chapter 2: Shooting for Freedom: Examining the Material World of Self-Emancipated Persons -- Chapter 3: Something Old, Something New: Repurposing and the Production of Ephemeral Festival Architecture in Eighteenth-Century Paris -- Chapter 4: Botanical Fantasy in Silk: Transformations of a Rococo Floral Design from England to China -- Chapter 5: Making Marble Edible: Madame de Pompadour, Friendship, and the Multiple Lives of Porcelain -- Chapter 6: The Sovereign Betel in Eighteenth-Century Bengal and Bihar -- Chapter 7: Isaiah Thomas's Stamp Acts at the Halifax Gazette: Printers and Tacit Protest in Revolutionary America -- Chapter 8: Between Art and Nature: The Dauphin's Treasure at the Royal Cabinet of Natural History in Madrid -- Chapter 9: California Indian Basket Weavers, Spanish Imperialism, and Eighteenth-Century Global Networks -- Chapter 10: British Prints between Caricature and Ethnography -- Index -- Plates.