Music in the Making of Modern Japan : Essays on Reception, Transformation and Cultural Flows. / edited by Kei Hibino, Barnaby Ralph, Henry Johnson

E-Book-ProQuest / Fernzugriff nach Registrierung möglich

Intro -- Acknowledgements -- Note on Transliteration -- Praise for Music in the Making of Modern Japan -- Contents -- Notes on Contributors -- 1 Introduction -- Affective Media: Towards a Definition -- Three Stages of Affective Media -- Conclusion -- References -- Part I Reception -- 2 Western Art Music in Pre-Edo and Meiji Japan: Historical Reception, Cultural Change and Education -- Introduction -- The Introduction of European Music by the Jesuits -- The Meiji Era: Re-introducing Western Music -- Conclusion -- References -- 3 Western Musical Elements in Japanese Koto Music: Affective Media in Sonic, Visual and Behavioural Context -- Introduction -- Sonic Culture -- Visual Culture -- Behavioural Culture -- Conclusion -- References -- 4 Guitar Making and Intercultural Communication in Japan and Australia -- Introduction -- The Electric Guitar and Manufacturing -- The Acoustic Guitar and Luthiery -- Summary -- References -- Part II Transformation -- 5 Black Intentions: Ishii Maki, Hirose Ryōhei, Shinohara Makoto and the Japanese Avant-Garde -- Introduction -- The Recorder -- The European Context -- Hybridity -- Avant-Garde Japanese Composers -- Japanese Legacies -- Beyond Japan -- References -- 6 Scarlett, an American Musical Made in Japan -- or, How Japanese Learned to Stop Worrying and Love Integrated Musicals -- Introduction -- Scarlett's Pre-history: How Japanese Worried About "Myūjikarusu" -- A Three-Way Struggle for Artistic Hegemony: How Japanese Learned to Love Integrated Musicals -- After the Success of the Tokyo Production: How an American Integrated Musical Was Unpopular in the US in the Early 1970s -- References -- 7 "Like Some Cat from Japan": Sukita Masayoshi's Photographs of David Bowie as Japan's First Appearance in the History of Rock Music -- Introduction -- Bowie's Antitheatrical Aesthetics.

Japanese Rock: Antitheatricality and Language Barriers -- Visuality -- Conclusion -- References -- Part III Cultural Flows -- 8 The Flow of Jazz in Japan: Why Jazz Resonates so Far from Home -- Introduction: How Jazz Travels -- How Jazz Imports -- The Spatiality of Jazz -- Jazz Identity and Infinity -- Importing Jazz Consciousness -- Thirdspaces and Jazz People -- Levelling Jazz up -- Assimilating Jazz Attitudes -- Schooling Jazz and Jazz Media -- Transforming Jazz or not -- Concluding Reflections -- References -- 9 Juna's Groove and Emi's Beat: Women and Popular Music in Modern Japan -- Introduction -- Popular Musical Genres and Mimicry in Japan -- Juna's Story -- Emi's Story -- Reflections on Being a Woman in Japan's Music World -- Thoughts on Japanese and Foreign Musicians -- Advice for Future Generations -- Conclusion -- References -- 10 Manufacturing Identity: Femininity, Discourse and Representation in Japanese Popular Music -- Introduction -- Popular Culture, Westernization and Gender -- The Importation of French "Idol" Culture -- Conclusion -- References -- Index.