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Comfortable Everyday Life at the Swedish Eighteenth-Century Näs Manor.

Von: Brown, CarolinaMaterialtyp: TextTextSprache: EnglischReihen: Visual and Material Culture, 1300-1700 SeriesVerlag: Amsterdam : Amsterdam University Press, 2024Copyright-Datum: {copy}2024Auflage: 1st edBeschreibung: 1 online resource (322 pages)Inhaltstyp: Text Medientyp: Computermedien Datenträgertyp: Online ResourceISBN: 9789048562381Genre/Form: Fernzugriff | Andere physische Formen: Print version: : Comfortable Everyday Life at the Swedish Eighteenth-Century Näs ManorOnline-Ressourcen: Volltext
Inhalte:
Cover -- Table of Contents -- Acknowledgements -- Introduction -- Comfort as an idea and practice -- Comfort for all? -- Aim, materials and method -- Theoretical starting points -- Previous research -- To the table! Disposition of the study -- 1. Carl Eric Wadenstierna and Näs Manor -- Näs and country life as ideal -- Comfortable everyday life -- Luxury and comfort -- Taste, cultivation and nature -- Books, socialising and silhouettes -- Family pictures -- 2. At the sewing table -- Jacobina Sophia Psilanderhielm af Seulenberg -- The significance of textiles -- The exemplary women of the eighteenth century -- Needlework, conversation and gender -- The utility of luxury: Wadenstierna and the debate on luxury -- Never being unoccupied -- 3. At the writing table -- Letter writing and comfort: Women's furniture à la mode -- Writing and reading: The Wadenstierna sisters and the library at Näs -- 'The cabinet': A room of her own for Fredrica Carleson -- Letter writing: A female genre -- A pictorial world full of letters -- In the studies and cabinets at Näs -- 4. At the dressing table -- French role models and complications -- Dressing tables, fashion images and portraits -- Criticism of dressing table culture -- 'Toilette kammaren': The dressing room at Näs -- The dressing room and Pehr Hilleström's paintings at Näs -- Toilette in a time of change -- 5. At the games tables -- Around the games tables and billiard table at Näs -- The significance of billiards during the eighteenth century -- The rules of the game -- Private billiards and public gambling clubs -- Women who played games -- Back to Näs -- 6. At the coffee table -- Coffee drinking and coffee criticism -- Intimate conversations: Coffee drinking and manorial culture -- Coffee at home with the Wadenstierna family -- Concluding words -- Pictures and tables -- Social roles -- Swedish?.
The picture of comfort -- Bibliography and sources -- Index -- List of illustrations -- Colour plates -- Plate 1. Niclas Lafrensen the Younger, Jacobina Sophia Psilanderhielm von Seulenberg (1733-1768). Watercolour and gouache on ivory, 8.5 × 6 cm. Nationalmuseum, Stockholm (NMGrh 4324). -- Plate 2. Niclas Lafrensen the Younger, Carl Eric Wadenstierna (1723-1787). Watercolour and gouache on ivory, 8.5 × 6 cm. Nationalmuseum, Stockholm (NMGrh 4323). -- Plate 3. Niclas Lafrensen the Younger, Fredrica Carleson (1743-1794). Watercolour and gouache on ivory, 8.5 × 6 cm. Nationalmuseum, Stockholm (NMGrh 4325). -- Plate 4. The main building at Näs. Photo: Udo Schröter. Wikimedia Commons. -- Plate 5. Pehr Hilleström's portrait that was commissioned for Wadenstierna's Näs Manor, 2ne Fröknar Wadenstiernas portraiter - i Conversation, c. 1774. Oil on canvas, 32 × 41 cm. Private ownership. -- Plate 6. Pehr Hilleström, En gumma med 2ne flickor (later called Tillrättavisningen), c. 1774. Oil on canvas, 33.5 × 49.5 cm. Private ownership. Photo: Bukowskis. The painting belonged to Wadenstierna's Näs estate. -- Plate 7. Pehr Hilleström, En tafla med 16 personer föreställande en Conversation på Drottningholm, 1779. Oil on canvas, 74.5 × 117 cm. Nationalmuseum, Stockholm (NMDrh 751). -- Plate 8. A suite of paintings at Wadenstierna's Näs Manor tell us about everyday work with the home's textiles: Pehr Hilleström, En som stryker och en som sticker (one ironing and one knitting). Oil on canvas, 40 × 51 cm. Private ownership. Photo: Bukowsk -- Plate 9. Wadenstierna's commission for Näs also included Pehr Hilleström, Ett Fruent: spinner bomull (A woman: Spinning cotton). Oil on canvas, 51 × 40 cm. Private ownership. -- Plate 10. Niclas Lafrensen the Younger, La consolation de l'absence, c. 1785. Gouache, 26 × 20.5 cm. Paris Musées/Musée Cognacq-Jay, Paris (J 156).
Plate 11. Niclas Lafrensen the Younger, Jacobina Sophia Psilanderhielm von Seulenberg (1733-1768) and Fredrica Carleson (1743-1794). Watercolour and gouache on ivory, 8.5 × 6 cm. Nationalmuseum, Stockholm (NMGrh 4324) -- Pehr Hilleström, En gumma med 2ne fl -- Plate 12. Johan Niclas Eckstein, Wadenstierna's secretaire, signed 1773. Veneered with jacaranda, plumwood, citron wood, maple, dark poplar and amaranth (purpleheart wood). W 94.5 cm, H 106 cm, D 49.5 cm. Private ownership. Photo: Christie's. -- Plate 13. Georg Haupt, secretaire completed for Wadenstierna, signed 1775. Veneered with coloured birch, maple, walnut and possibly mulberry wood. W 82 cm, H 106 cm, D 55 cm. Private ownership. Photo: Åmells. -- Plate 14. François Boucher, La marchande de modes, 1746. Oil on canvas, 64 × 53 cm. Nationalmuseum, Stockholm (NM 772). Photo: Cecilia Heisser. -- Plate 15. Pehr Hilleström, Ett Fruent: som snör en flicka (A woman lacing a girl's corset). Oil on canvas, 32 × 41 cm. Private ownership. The painting was part of Wadenstierna's commission of Hilleström's works in the 1770s. -- Plate 16. In the eighteenth century, Näs was home to Pehr Hilleström's painting Interiör med ung dam och gumma som spår i kaffesump (Interior with young lady and old woman reading coffee grounds), from c. 1775. Oil on canvas, 38.5 × 30 cm. Private ownersh -- Plate 17. Pehr Hilleström, Ett fruentimmer sitter och läser, kammarjungfrun kommer med Thé (A woman sits reading, the lady's maid brings tea), 1775. Oil on canvas, 53 × 62 cm. Nordiska museet, Stockholm (NM.0177655*1). -- Plate 18. Niclas Lafrensen the Younger, Lady Drinking Tea, c. 1780. Gouache on paper, 28 × 21.9 cm. Harvard Art Museums/Fogg Museum, Gift of Charles E. Dunlap (1956.248).
Plate 19. Cup from Wadenstierna's armorial tableware. Polychrome decoration with the cross of the Royal Order of the Polar Star hanging around the coat of arms after Wadenstierna was awarded the distinction in 1767. Private ownership. -- Plate 20. Georg Haupt, Wadenstierna's tea table, 1775. L 80 cm, W 57.5 cm, H 75 cm. Private ownership. Photo: Bukowskis. -- Images -- 1. Gustaf Lundberg (attrib.), Unknown Woman. Pastel, 53 × 43 cm. Nationalmuseum, Stockholm (NMGrh 2306). -- 2. Louis Carrogis (Carmontelle), Mr de Mornay, Gouverneur de St Cloud, dessiné d'après nature dans la posture habituelle de sa siesta. Watercolour and gouache, 27.1 × 19 cm. Private ownership. Photo: Sotheby's. -- 3. François Boucher, Madame de Pompadour, Jeanne-Antoinette Poisson, 1756. Oil on canvas, 201 × 157 cm. Alte Pinakothek, Munich (HUW 18). Wikimedia Commons. -- 4. Bernard Picart, Mode: aux colonnes d'Hercules avec Priv. du Roy. Engraving, 10.3 × 6.5 cm. Rijksmuseum, Amsterdam. -- 5. Nicolas Dupin after Pierre-Thomas Le Clerc, Femme en deshabillé du matin couchée négligemment sur un Sopha, et jouant avec son chien. From Galerie des modes et costumes français, Paris, 1778. -- 6. Antoine Trouvain, Mademoiselle d'Armagnac en robe de chambre, 1695. Découpure, engraving and textile, 27.31 × 20.32 cm. Minneapolis Museum of Art, the Minnich Collection, Ethel Morrison Van Derlip Fund, 1966 (66.25.5). -- 7. Jean-François de Troy, Lecture de Molière, c. 1728. Oil on canvas, 74 × 93 cm. Private ownership. -- 8-10. At the Tea Table, 30.5 × 23 cm -- Henriette von Knebel, 24.6 × 17 cm -- Friederike Louise, princesse of Hessen-Darmstadt, c. 1783, 25.6 × 17.8 cm. Ink on paper. From Anne Gabrisch, Schattenbilder der Goethezeit, Leipzig, 1966. -- 11. One of five overdoor decorations in the entrance hall at Näs, from about 1775. Unknown artist, oil on canvas. Private ownership.
12. View of Näs Manor, from Gunnar Mascoll Silfverstolpe, 'Näs i Roslagen. En gustaviansk herrgård', Svenska hem i ord och bilder, no. 28, 1940, pp. 1-8. -- 13. Map of Näs Manor, 1748-9 (detail). From the Swedish Land Survey (A83-18:1). Photo: Archives of the Nordic Museum, Stockholm. -- 14. Floor Plan for a New House at Näs Manor in Roslagen, early 1770s. Photo: Archives of the Nordic Museum, Stockholm. -- 15. Tiled stove in the dining room at Näs, c. 1775. -- 16. Enfilade with the reception rooms at Näs with the bedchamber in the foreground. Photo: Åke Grundström, 1959, Archives of the Nordic Museum, Stockholm. -- 17. Drawing room chairs from Näs, about 1780. Photo: Bukowskis. -- 18-19. Wadenstierna's tureen from the Marieberg factory in Stockholm, marked 27/10 (17)63 and with the painter's signature of Erik Aspegren. The three small leaves inside the bottom of the bowl hide a few imperfections in the glaze. The leaves are a remin -- 20. One of Johan Philip Korn's paintings from Näs. Oil on panel, 18 × 25 cm. Private ownership. -- 21. Part of the collection of silhouette portraits from Näs: Fredrica Aurora Taube (1753-1806) (SPA 1960:243), 1789 -- Lars Gabriel Silfverstolpe (1773-1832) (SPA 1960:266), 1788 -- Lars August Mannerheim (1749-1835) (SPA 1960:259), 1792. Photo: Archives of t -- 22. Pehr Hörberg, Evening with the Family at de Geers Finspång, 1798. Pen and ink wash on paper, 20.5 × 32.5 cm. Nationalmuseum, Stockholm (NMH 516/1884). -- 23. Silhouette Portraits of Sophia Wadenstierna and Lars August Mannerheim, 1780s. Possibly by Johan Ludvig Tenler. Photo: Archives of the Nordic Museum, Stockholm. -- 24-25. Carl Carlsson Enhörning, Carl Eric Wadenstierna och Fredrica Carleson, 1770s. Wax relief (SPA 1942:332). Photo: Archives of the Nordic Museum, Stockholm.
26. Unknown artist, portrait miniatures of Jacobina Sophia Psilanderhielm von Seulenberg.
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Cover -- Table of Contents -- Acknowledgements -- Introduction -- Comfort as an idea and practice -- Comfort for all? -- Aim, materials and method -- Theoretical starting points -- Previous research -- To the table! Disposition of the study -- 1. Carl Eric Wadenstierna and Näs Manor -- Näs and country life as ideal -- Comfortable everyday life -- Luxury and comfort -- Taste, cultivation and nature -- Books, socialising and silhouettes -- Family pictures -- 2. At the sewing table -- Jacobina Sophia Psilanderhielm af Seulenberg -- The significance of textiles -- The exemplary women of the eighteenth century -- Needlework, conversation and gender -- The utility of luxury: Wadenstierna and the debate on luxury -- Never being unoccupied -- 3. At the writing table -- Letter writing and comfort: Women's furniture à la mode -- Writing and reading: The Wadenstierna sisters and the library at Näs -- 'The cabinet': A room of her own for Fredrica Carleson -- Letter writing: A female genre -- A pictorial world full of letters -- In the studies and cabinets at Näs -- 4. At the dressing table -- French role models and complications -- Dressing tables, fashion images and portraits -- Criticism of dressing table culture -- 'Toilette kammaren': The dressing room at Näs -- The dressing room and Pehr Hilleström's paintings at Näs -- Toilette in a time of change -- 5. At the games tables -- Around the games tables and billiard table at Näs -- The significance of billiards during the eighteenth century -- The rules of the game -- Private billiards and public gambling clubs -- Women who played games -- Back to Näs -- 6. At the coffee table -- Coffee drinking and coffee criticism -- Intimate conversations: Coffee drinking and manorial culture -- Coffee at home with the Wadenstierna family -- Concluding words -- Pictures and tables -- Social roles -- Swedish?.

The picture of comfort -- Bibliography and sources -- Index -- List of illustrations -- Colour plates -- Plate 1. Niclas Lafrensen the Younger, Jacobina Sophia Psilanderhielm von Seulenberg (1733-1768). Watercolour and gouache on ivory, 8.5 × 6 cm. Nationalmuseum, Stockholm (NMGrh 4324). -- Plate 2. Niclas Lafrensen the Younger, Carl Eric Wadenstierna (1723-1787). Watercolour and gouache on ivory, 8.5 × 6 cm. Nationalmuseum, Stockholm (NMGrh 4323). -- Plate 3. Niclas Lafrensen the Younger, Fredrica Carleson (1743-1794). Watercolour and gouache on ivory, 8.5 × 6 cm. Nationalmuseum, Stockholm (NMGrh 4325). -- Plate 4. The main building at Näs. Photo: Udo Schröter. Wikimedia Commons. -- Plate 5. Pehr Hilleström's portrait that was commissioned for Wadenstierna's Näs Manor, 2ne Fröknar Wadenstiernas portraiter - i Conversation, c. 1774. Oil on canvas, 32 × 41 cm. Private ownership. -- Plate 6. Pehr Hilleström, En gumma med 2ne flickor (later called Tillrättavisningen), c. 1774. Oil on canvas, 33.5 × 49.5 cm. Private ownership. Photo: Bukowskis. The painting belonged to Wadenstierna's Näs estate. -- Plate 7. Pehr Hilleström, En tafla med 16 personer föreställande en Conversation på Drottningholm, 1779. Oil on canvas, 74.5 × 117 cm. Nationalmuseum, Stockholm (NMDrh 751). -- Plate 8. A suite of paintings at Wadenstierna's Näs Manor tell us about everyday work with the home's textiles: Pehr Hilleström, En som stryker och en som sticker (one ironing and one knitting). Oil on canvas, 40 × 51 cm. Private ownership. Photo: Bukowsk -- Plate 9. Wadenstierna's commission for Näs also included Pehr Hilleström, Ett Fruent: spinner bomull (A woman: Spinning cotton). Oil on canvas, 51 × 40 cm. Private ownership. -- Plate 10. Niclas Lafrensen the Younger, La consolation de l'absence, c. 1785. Gouache, 26 × 20.5 cm. Paris Musées/Musée Cognacq-Jay, Paris (J 156).

Plate 11. Niclas Lafrensen the Younger, Jacobina Sophia Psilanderhielm von Seulenberg (1733-1768) and Fredrica Carleson (1743-1794). Watercolour and gouache on ivory, 8.5 × 6 cm. Nationalmuseum, Stockholm (NMGrh 4324) -- Pehr Hilleström, En gumma med 2ne fl -- Plate 12. Johan Niclas Eckstein, Wadenstierna's secretaire, signed 1773. Veneered with jacaranda, plumwood, citron wood, maple, dark poplar and amaranth (purpleheart wood). W 94.5 cm, H 106 cm, D 49.5 cm. Private ownership. Photo: Christie's. -- Plate 13. Georg Haupt, secretaire completed for Wadenstierna, signed 1775. Veneered with coloured birch, maple, walnut and possibly mulberry wood. W 82 cm, H 106 cm, D 55 cm. Private ownership. Photo: Åmells. -- Plate 14. François Boucher, La marchande de modes, 1746. Oil on canvas, 64 × 53 cm. Nationalmuseum, Stockholm (NM 772). Photo: Cecilia Heisser. -- Plate 15. Pehr Hilleström, Ett Fruent: som snör en flicka (A woman lacing a girl's corset). Oil on canvas, 32 × 41 cm. Private ownership. The painting was part of Wadenstierna's commission of Hilleström's works in the 1770s. -- Plate 16. In the eighteenth century, Näs was home to Pehr Hilleström's painting Interiör med ung dam och gumma som spår i kaffesump (Interior with young lady and old woman reading coffee grounds), from c. 1775. Oil on canvas, 38.5 × 30 cm. Private ownersh -- Plate 17. Pehr Hilleström, Ett fruentimmer sitter och läser, kammarjungfrun kommer med Thé (A woman sits reading, the lady's maid brings tea), 1775. Oil on canvas, 53 × 62 cm. Nordiska museet, Stockholm (NM.0177655*1). -- Plate 18. Niclas Lafrensen the Younger, Lady Drinking Tea, c. 1780. Gouache on paper, 28 × 21.9 cm. Harvard Art Museums/Fogg Museum, Gift of Charles E. Dunlap (1956.248).

Plate 19. Cup from Wadenstierna's armorial tableware. Polychrome decoration with the cross of the Royal Order of the Polar Star hanging around the coat of arms after Wadenstierna was awarded the distinction in 1767. Private ownership. -- Plate 20. Georg Haupt, Wadenstierna's tea table, 1775. L 80 cm, W 57.5 cm, H 75 cm. Private ownership. Photo: Bukowskis. -- Images -- 1. Gustaf Lundberg (attrib.), Unknown Woman. Pastel, 53 × 43 cm. Nationalmuseum, Stockholm (NMGrh 2306). -- 2. Louis Carrogis (Carmontelle), Mr de Mornay, Gouverneur de St Cloud, dessiné d'après nature dans la posture habituelle de sa siesta. Watercolour and gouache, 27.1 × 19 cm. Private ownership. Photo: Sotheby's. -- 3. François Boucher, Madame de Pompadour, Jeanne-Antoinette Poisson, 1756. Oil on canvas, 201 × 157 cm. Alte Pinakothek, Munich (HUW 18). Wikimedia Commons. -- 4. Bernard Picart, Mode: aux colonnes d'Hercules avec Priv. du Roy. Engraving, 10.3 × 6.5 cm. Rijksmuseum, Amsterdam. -- 5. Nicolas Dupin after Pierre-Thomas Le Clerc, Femme en deshabillé du matin couchée négligemment sur un Sopha, et jouant avec son chien. From Galerie des modes et costumes français, Paris, 1778. -- 6. Antoine Trouvain, Mademoiselle d'Armagnac en robe de chambre, 1695. Découpure, engraving and textile, 27.31 × 20.32 cm. Minneapolis Museum of Art, the Minnich Collection, Ethel Morrison Van Derlip Fund, 1966 (66.25.5). -- 7. Jean-François de Troy, Lecture de Molière, c. 1728. Oil on canvas, 74 × 93 cm. Private ownership. -- 8-10. At the Tea Table, 30.5 × 23 cm -- Henriette von Knebel, 24.6 × 17 cm -- Friederike Louise, princesse of Hessen-Darmstadt, c. 1783, 25.6 × 17.8 cm. Ink on paper. From Anne Gabrisch, Schattenbilder der Goethezeit, Leipzig, 1966. -- 11. One of five overdoor decorations in the entrance hall at Näs, from about 1775. Unknown artist, oil on canvas. Private ownership.

12. View of Näs Manor, from Gunnar Mascoll Silfverstolpe, 'Näs i Roslagen. En gustaviansk herrgård', Svenska hem i ord och bilder, no. 28, 1940, pp. 1-8. -- 13. Map of Näs Manor, 1748-9 (detail). From the Swedish Land Survey (A83-18:1). Photo: Archives of the Nordic Museum, Stockholm. -- 14. Floor Plan for a New House at Näs Manor in Roslagen, early 1770s. Photo: Archives of the Nordic Museum, Stockholm. -- 15. Tiled stove in the dining room at Näs, c. 1775. -- 16. Enfilade with the reception rooms at Näs with the bedchamber in the foreground. Photo: Åke Grundström, 1959, Archives of the Nordic Museum, Stockholm. -- 17. Drawing room chairs from Näs, about 1780. Photo: Bukowskis. -- 18-19. Wadenstierna's tureen from the Marieberg factory in Stockholm, marked 27/10 (17)63 and with the painter's signature of Erik Aspegren. The three small leaves inside the bottom of the bowl hide a few imperfections in the glaze. The leaves are a remin -- 20. One of Johan Philip Korn's paintings from Näs. Oil on panel, 18 × 25 cm. Private ownership. -- 21. Part of the collection of silhouette portraits from Näs: Fredrica Aurora Taube (1753-1806) (SPA 1960:243), 1789 -- Lars Gabriel Silfverstolpe (1773-1832) (SPA 1960:266), 1788 -- Lars August Mannerheim (1749-1835) (SPA 1960:259), 1792. Photo: Archives of t -- 22. Pehr Hörberg, Evening with the Family at de Geers Finspång, 1798. Pen and ink wash on paper, 20.5 × 32.5 cm. Nationalmuseum, Stockholm (NMH 516/1884). -- 23. Silhouette Portraits of Sophia Wadenstierna and Lars August Mannerheim, 1780s. Possibly by Johan Ludvig Tenler. Photo: Archives of the Nordic Museum, Stockholm. -- 24-25. Carl Carlsson Enhörning, Carl Eric Wadenstierna och Fredrica Carleson, 1770s. Wax relief (SPA 1942:332). Photo: Archives of the Nordic Museum, Stockholm.

26. Unknown artist, portrait miniatures of Jacobina Sophia Psilanderhielm von Seulenberg.

No detailed description available for "Comfortable Everyday Life at the Swedish Eighteenth-Century Näs Manor".

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