Art and Monist philosophy in nineteenth century France from Auteuil to Giverny / Nina Athanassoglou-Kallmyer
Тип материала:![Текст](/opac-tmpl/lib/famfamfam/BK.png)
Тип материала | Текущая библиотека | Шифр хранения | Состояние | Ожидается на дату | Штрих-код | |
---|---|---|---|---|---|---|
E-Books | MWN Osteuropa Online-Ressource | E-24-e00192 (Просмотр полки(Открывается ниже)) | Доступно | 72901 |
E-Book-ProQuest / Fernzugriff nach Registrierung möglich
Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Table of Contents -- Acknowledgments -- Introduction. The Return of Lucretius -- 1 The Auteuil Salon and Ideology -- The Spiritualist Swerve -- Aftermath -- 2 Théodore Géricault. Soul and Body -- Anima -- Animals -- Animalization -- Animalité/Humanité: Alternate Worlds as One -- 3 Self and Nature. Delacroix and the Aesthetics of Unity -- Sense Intime -- Spiritualist Affinities -- The Importance of Leonardo -- Enter Félix Ravaisson-Mollien -- Rapports - The Cornerstones of Unity -- 4 A Cosmic Vision. Monet's Giverny Circle -- A Web of Relationships -- Journey to the Center of the Earth -- A Philosophy of Unity -- Primitivism as Anti-modernism -- Unforgettable: Memory, Matter and Unity -- La Creuse: "The Soul Inhabits Boulders and Dust. -- The Rouen Cathedral Series: Matter and Memory -- CODA: A Return to Innocence -- Bibliography -- Index.
This is a study of the relation between the fine arts and philosophy in France, from the aftermath of the 1789 revolution to the end of the nineteenth century, when a philosophy of being called "monism" emerged and became increasingly popular among intellectuals, artists, and scientists.
Для данного заглавия нет комментариев.