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Intro -- CONTENTS -- ACKNOWLEDGEMENTS -- INTRODUCTION CAN ART HISTORY BE MADE GLOBAL? -- CHAPTER ONE THE WORLD IN A GRAIN OF SAND A Genealogy of World Art Studies -- CHAPTER TWO MAKING AND SEEING IMAGES Tracking the Routes of Vision in Early Modern Eurasia -- Plates I -- CHAPTER THREE TRAVERSING SCALE(S) Transcultural Modernism with and Beyond the Nation -- CHAPTER FOUR BEYOND BACKWATER ARCADIAS Globalised Locality and Contemporary Art Practice -- CHAPTER FIVE WHEN ART EMBRACES THE PLANET The Contemporary Exhibition Form and the Challenge of Connected Histories -- POSTSCRIPT THE HUNTER AND THE SQUIRREL Art History from the Global to the Planetary -- Plates II -- BIBLIOGRAPHY -- LIST OF ILLUSTRATIONS -- INDEX.
The book responds to the challenge of the global turn in the humanities from the perspective of art history.A global art history, it argues, need not follow the logic of economic globalization nor seek to bring the entire world into its fold.