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Performing Emotions in Early Europe -- Contents -- List of Illustrations -- Acknowledgements -- Introduction: Performing Emotions in Medieval and Early Modern Worlds, Philippa Maddern, Joanne McEwan, and Anne M. Scott -- Part I. Emotional Performativity in Music, Literature, and the Visual Arts -- Emotion, Time, and Music at Cambrai Cathedral, Matthew S. Champion -- 'Affecting glory from vices': Negotiating Shame in Prostitution Texts, 1660-1750, Emily Cock -- Pageant, Spectacle, Dread, and Love in Piers Plowman, Brueghel's Triumph of Death, and the Good Samaritan Window of Bourges Cathedral, Anne M. Scott -- Affected Bodies and Bodily Affect: Visualizing Emotion in Renaissance Plague Images, Louise Marshall -- Part II. Social Performance -- The 'Slime of Vice' and the 'Passions of the Mind': Emotional Histories in the Anglo-Norman World, Lindsay Diggelmann -- Courting Nassau Affections: Performing Love in Orange-Nassau Marriage Negotiations, Susan Broomhall and Jacqueline Van Gent -- '[D]id ringe at oure parish churche … for joye that the Queene of Skotts … was beheaded': Public Performances of Early Modern English Emotions, Dolly MacKinnon -- Part III. Religious Performance -- Emotion, Place, and Memory at the Royal Abbey of St Denis, Megan Cassidy-Welch -- Boosting the Emotional Power of New Liturgy: The Hidden Sides of Things in Giotto's Crib at Greccio, Richard Read -- Discursive Affect and Emotional Prescriptiveness: On the 'Man of Sorrows' in Fourteenth-Century Italian Painting, Lachlan Turnbull -- Martin Luther's Heart, Susan C. Karant-Nunn -- Part IV. Recreating Emotional Performance -- 'Laughing at Death': Emotional Excess in The Duchess of Malfi in Performance, Steve Chinna -- Index.