TY  - BOOK
AU  - Brett,Donna West
AU  - Lusty,Natalya
TI  - Photography and Ontology: Unsettling Images
T2  - Routledge History of Photography Series
SN  - 9781351187749
PY  - 2018///
CY  - Oxford
PB  - Taylor & Francis Group
KW  - Ontology
KW  - Photography-Philosophy
KW  - Fernzugriff
KW  - Electronic books
N1  - E-Book-ProQuest / Fernzugriff nach Registrierung möglich; Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Table of Contents -- List of Illustrations -- Color Plates -- Acknowledgments -- Photography and Ontology: An Introduction -- Unsettling Images: The Essays -- Notes -- Notes -- Chapter 1: Ontology or Metaphor? -- Metaphors They Photographed By -- The Sun Picture -- Mirror, Memory, Shadow, Vision -- Index -- Notes -- Chapter 2: Unsettling the Archive: The Stasi, Photography, and Escape from the GDR -- The Man in a Smart Suit -- Waldmü llerstrasse 1 -- Smugglers and the Opel Kapitan -- Operation Biscaya -- Unsettling the Archive -- Acknowledgments -- Abbreviations -- Notes -- Chapter 3: Dark Archive: The Afterlife of Forensic Photographs -- Notes -- Chapter 4: Hard Looks: Faces, Bodies, Lives in Early Sydney Police Portrait Photography -- "Birds of Passage" -- Identity Games -- Forget Me Not -- Digital Mobilities -- Stripped-Down -- Four Rememberings -- Conclusion -- Acknowledgments -- Notes -- Chapter 5: Anticipatory Photographs: Sarah Pickering and An-My Lê -- An-My Lê : Imagining Wars -- Notes -- Chapter 6: Eli Lotar's Para-urban Visions -- Introduction -- The City of Blood -- Fantastique Social -- The Pichard Image -- Acknowledgments -- Notes -- Chapter 7: The Presence of Video: Making the Displaced and Disappeared Self Visible -- Notes -- Chapter 8: Contemplating Life: Rinko Kawauchi's Autobiography of Seeing -- Photography, Autobiography, and the Real -- Photography and Life 1: Photography in/as Autobiography -- Photography and Life 2: Photography and the Self -- Photography and Life 3: Personal Photography and the Photo-Diarist -- Reframing the Personal: Kawauchi and the Photobook -- Child-like, Dream-like: Kawauchi's Mode of Looking -- Kawauchi's Equivalence of Attention -- Kawauchi's Constant Present -- Conclusion -- Notes; Chapter 9: Suspending Productive Time: Some Photographs by Gabriel Orozco and Jacques Ranciè re's Thinking of Modern Aesthetics -- Between Political Economy and Psychoanalysis: Benjamin Buchloh and Margaret Iversen on Orozco's Photography -- Jacques Ranciè re on Artistic Modernity and Aesthetic Experience -- Orozco's Photographs and the Suspension of Productive Time -- Acknowledgments -- Notes -- Chapter 10: Photography as Indexical Data: Hans Eijkelboom and Pattern Recognition Algorithms -- Hans Eijkelboom -- The Computer as Hyperviewer: Photography and "Deep Learning" -- The Data Selfie: From Google to Amazon's Echo Look -- Conclusion -- Notes -- Chapter 11: Afterword: Photography Against Ontology -- Ontology Against Photography -- Relational Ontology -- Variable Ontology -- The Political Ontology of Photography -- Notes -- Contributors -- Bibliography -- Index
N2  - This edited collection explores the complex ways in which photography is used and interpreted: as a record of evidence, as a form of communication, as a means of social and political provocation, as a mode of surveillance, as a narrative of the self, and as an art form
UR  - https://ebookcentral.proquest.com/lib/maxweberstiftung-ebooks/detail.action?docID=5580253
ER  -