TY  - GEN
AU  - Madrid,Alejandro L.
TI  - Transnational encounters: music and performance at the U.S.-Mexico border 
PY  - 2011///
CY  - New York
PB  - Oxford University Press
KW  - Mexican-American Border Region
KW  - History and criticism
KW  - Social aspects
KW  - Popular music
KW  - Folk music
KW  - Music
N1  - E-Book-ACLS / Zugriff nur im DHI-Lesesaal; American Council of Learned Societies/ https://www.humanitiesebook.org/about; Includes bibliographical references and index; Border meanings; Reggae on the border: the possibilities of a Frontera soundscape; Luis Alvarez; Breaking borders/quebrando fronteras: dancing in the borderscape; Sydney Hutchinson; Narcocorridos: narratives of a cultural persona and power on the border; Mark C. Edberg; Nationalisms; Mariachi reimaginings: encounters with technology, aesthetics, and identity; Donald Henriques; "This is our música, guy!": Tejanos and ethno/regional musical nationalism; José E. Limón; Indigeneity and Modernity; Re-localized rap and its representation of the hombre digno; Helena Simonett; Waila as transnational practice; Joan Titus; Cultural citizenship and rights; Transnational identity, the signing of spirituals, and the performance of blackness among Moscogos; Alejandro L. Madrid; Transnational cultural constructions: Cumbia music and the making of locality in Monterrey; Jesus A. Ramos-Kittrell; Patriotic citizenship, the border wall, and the "El Veterano" Conjunto Festival; Margaret E. Dorsey and Miguel Díaz-Barriga; Trans-border cosmopolitan audiotapes; The Tijuana sound: brass, blues and the border of the 1960s; Josh Kun; La avanzada regia: Monterrey's alternative music scene and the aesthetics of transnationalism; Ignacio Corona; Contested identities; New Mexico and 'Manitos at the borderlands of popular music in Greater Mexico; Brenda M. Romero; "Todos me llaman El Gringo": place, identity, and erasure within the New Mexico Hispano music scene; Lillian Gorman; Performing locality and gender; From pistol-packing pelado to border crossing mojado: El Piporro and the making of a "Mexican" border space; Cathy Ragland; Dancing Reggaetón with cowboy boots; Ramón H. Rivera-Servera
UR  - https://hdl.handle.net/2027/heb31460
ER  -