TY  - GEN
AU  - Davis,Natalie Zemon
TI  - Women on the margins: three seventeenth-century lives 
PY  - 1997///, c1995
CY  - Cambridge, Mass.
PB  - Harvard University Press
KW  - Glueckel,
KW  - Marie de l'Incarnation,
KW  - Merian, Maria Sibylla,
KW  - Biography
KW  - 17th century
KW  - Germany
KW  - Québec (Province)
KW  - Suriname
KW  - Women
KW  - Jewish women
KW  - Women merchants
KW  - Women missionaries
KW  - Protestant women
N1  - E-Book-ACLS / Zugriff nur im DHI-Lesesaal; American Council of Learned Societies/ https://www.humanitiesebook.org/about; Includes bibliographical references (p. [219]-339) and index; Arguing with God : Glikl Bas Judah Leib -- New worlds : Marie de l'Incarnation -- Metamorphoses : Maria Sibylla Merian
N2  - As she did with Martin Guerre, Natalie Zemon Davis here retrieves individual lives from historical obscurity to give us a window onto the early modern world. As women living in the seventeenth century, Glikl bas Judah Leib, Marie de l'Incarnation, and Maria Sibylla Merian, equally remarkable though very different, were not queens or noblewomen, their every move publicly noted. Rather, they were living "on the margins" in seventeenth-century Europe, North America, and South America. Yet these women - one Jewish, one Catholic, one Protestant - left behind memoirs and writings that make for a spellbinding tale and that, in Davis' deft narrative, tell us more about the life of early modern Europe than many an official history. All these women were originally city folk. Glikl bas Judah Leib was a merchant of Hamburg and Metz whose Yiddish autobiography blends folktales with anecdotes about her two marriages, her twelve children, and her business. Marie de L'Incarnation, widowed young, became a mystic visionary among the Ursuline sisters and cofounder of the first Christian school for Amerindian women in North America. Maria Sibylla Merian, a German painter and naturalist, produced an innovative work on tropical insects based on lore she gathered from the Carib, Arawak, and African women of Suriname. The resulting triptych suggests the range of experience, self-consciousness, and expression possible in seventeenth-century Europe and its outposts. It also shows how persons removed from the centers of power and learning ventured in novel directions, modifying in their own way Europe's troubled and ambivalent relations with other "marginal" peoples
UR  - https://hdl.handle.net/2027/heb01639
ER  -