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Cover -- Contents -- Introduction. The New Philology Comes of Age -- 1 New Challenges for the New Medievalism -- 2 Reflections on The New Philology -- 3 Virgil's "Perhaps": Mythopoiesis and Cosmogony in Dante's Commedia (Remarks on Inf. 34, 106-26) -- 4 Dialectic of the Medieval Course -- 5 Religious Horizon and Epic Effect: Considerations on the Iliad, the Chanson de Roland, and the Nibelungenlied -- 6 The Possibility of Historical Time in the Crónica Sarracina -- 7 Good Friday Magic: Petrarch's Canzoniere and the Transformation of Medieval Vernacular Poetry -- 8 The Identity of a Text -- 9 Conceiving the Text in the Middle Ages -- 10 Dante's Transfigured Ovidian Models: Icarus and Daedalus in the Commedia -- 11 Ekphrasis in the Knight's Tale -- 12 Montaigne's Medieval Nominalism and Meschonnic's Ethics of the Subject -- 13 The Pèlerinage Corpus in the Europe an Middle Ages: Processes of Retextualization Reflected in the Prologues -- 14 Narrative Frames of Augustinian Thought in the Renaissance: The Case of Rabelais -- 15 From Romanesque Architecture to Romance -- Contributors -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z.
Other contributors include Jack Abecassis, Marina Brownlee, Jacqueline Cerquiglini-Toulet, Andreas Kablitz, and Ursula Peters.