Women, the Arts, and Dictatorship in the Portuguese-Speaking Context : Tensions, Disputes, and Post-Memory Heritage.

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Intro -- Table of Contents -- Introduction -- Experiment and Evidence -- Unfinished Heritages: Artistic Portuguese Post-Memory Conversations about Dictatorship and Colonial Heritage -- Postcolonial and Decolonial Feminisms: Archaeologies, Tensions, Disputes -- From Fiction to Activism: Rounding out the Memory of Maria Lamas -- Djaimilia Pereira de Almeida, The Telephones: A Tribute to the 'Literary Genre of the Diaspora' and the Reinvention of a Narrative Poetics -- Post-Utopia, Post-Conflict Literary Trends in Twenty-First-Century African Literatures: The Cases of Ana Paula Tavares and Conceição Lima -- An "Independent Spirit": The Work of Sarah Affonso (1899-1983) and the Changing Cultural Terrain of Mid-Twentieth-Century Portugal -- Inventing a Language of Her Own: Writing in Teresinha Soares' Artistic Practice -- Poetics of Survival: (Critical) Process and Archive in Rosana Paulino's ¿História Natural? -- Bertina Lopes: Cartographic Notes on a Transnational Artist -- Archival images of the Estado Novo in Portuguese Film: A Gendered Perspective in Brandos Costumes (1975), Natal 71 (1999) and Natureza Morta (2005) -- Yvone Kane, Memory, Mourning, and Melancholia: Unresolved Pasts and "Lost Futures" -- List of Contributors -- Index.