UCI Critical Theory and Contemporary Art Practice : With a Prologue by Georges Van Den Abbeele.
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Cover -- Copyright information -- Contents -- Foreword -- Introduction: Between Irony, the Sublime, and Contemporary Art. Critical Discourse and Artistic Practice -- PROLOGUE -- 1 Irony/the Sublime/Visuality, or, of the American Deconstructions of the Derridean Parergon -- The Parergonal Dynamics of Irony -- Decentralization of Artistic Activities -- New York Reality of the Lowest Rank -- The Rhetoric of Irony and the Sublime (Jacques Derrida 's Concepts) -- The Negative Dynamics of Diff é rance -- The Mute Irony of Writing -- The Sublime of the Wrapping (Christo Javacheff and Jeanne-Claude Denat ) -- 2 Meditations on Mercy, Forgiveness, and the Irony of Death (Derrida 's Seminars on the Death Penalty) 105 -- 3 The Discourse of the Visual Arts: Paul de Man's Trope Theory and Contemporary American Painting and Spatial Installations -- Introductory Remarks -- Intentional Structure of a Contemporary American Artwork (De Man 's Theory and the Art of Ad Reinhardt , Jasper Johns , and Robert Rauschenberg ) -- Between de Man's Referential Aberration and Rorty 's Irony -- The Art of Writing -- 4 Postmodern Visual Sublime: On the Margins of Fredric Jameson 's Postmodernism, or, the Cultural Logic of Late Capitalism -- Introduction -- The Sublime in Postmodern Space -- The Hysterical Sublime -- Data: Time and Space -- Lyotard 's Sublime of the Experiment vs. Jameson 's Sublime of Form -- Video Art and the Issue of Temporality -- Postmodernism and the Spatio-Temporal: Conclusions -- Allegory and Metaphor -- Postmodernism Disputed: J ü rgen Habermas , Ihab Hassan , Jean-Fran ç ois Lyotard , Fredric Jameson -- 5 Emptiness, the Sublime, and Infinity: Broadening the Territory of Art -- Land Art and the Sublime.
Jean-Fran ç ois Lyotard 's Space-Time Continuum of the Kantian Sublime ( Lessons on the Analytic of the Sublime: Kant 's Critique of Judgment,  23-29 by Jean-Fran ç ois Lyotard ) -- 6 "Like the hole in a bone socket that lets you see without showing you anything at all:" Blindness (in California Art) for Bruce Nauman and Contemporary Philosophical Discourse 237 -- Jacques Derrida , Jean-Luc Nancy , and Others -- Bruce Nauman as a California Artist -- Art of the Intimate -- Body as a Sphere -- 7. J. Derrida and J. Kosuth : The Tyranny of the Letter -- or, Art for Philosophy 269 -- The Crisis and the Heyday of Language -- Writing, Diff é rance , and Kosuth 's Conceptualism -- Thought Is Art -- Lines, Billboards, and Gaps -- An Infinity Game (Exercise in Nonlinearity) -- The Deconstruction of Artworks -- The Age of Final Solutions -- Art as an Idea: The Alternatives of Ironic Lectures -- 8 Chris Burden and the Sublime Rhetoric of the Revealed Truth: Performance Art at UC Irvine 347 -- 9 Paraesthetics and Theory -- The States of "Theory" -- Paraesthetics -- 10 Instead of Conclusion: Prosopopoeia, Irony, and Community -- Irony, Deconstruction, and Cosmopolitanism -- Jacques Derrida 's Writing -- Novelty, Narrative, and Literary Criticism -- Irony and Self-Creation -- The Ideal of Compassion and Imagination (Richard Rorty and Jacques Derrida ) -- Prosopopoeia , Imagination, and Community: Nineteenth- and Twentieth-Century References -- Plato 's, Rorty 's, and Lyotard 's Teachings About Virtue -- The Sublime, the Future, and Experimentation -- Prosopopoeia , Irony, and Community in Krzysztof Wodiczko 's Art -- 11 Interview with Professor Georges Van Den Abbeele , Dean of the School of Humanities at the University of California, Irvine conducted by Ewa Bobrowska in 2017 -- Bibliography -- INDEX.
This book focuses on the collaboration of Derrida, Lyotard, Hillis Miller, and others at the Critical Theory Institute at UC Irvine and on critical theory as a methodology for the analysis of contemporary American visual art of Nauman, Kosuth, Burden, Christo, Johns, Rauschenberg, and others. It also includes a Prologue by Georges van Den Abbeele.
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