Mapping art collecting in Europe, 1860-1940 : Eastern and Western sociocultural perspective / edited by Milena Woźniak-Koch

По: Collection, Modernism and Social Identity. Art Collecting in Europe Between 1880–1940 Veranstaltung 2021 Online [Verfasser]Другие авторы: Woźniak, Milena [HerausgeberIn]Тип материала: ТекстТекстЯзык: English (английский язык) Серия: Fokus ; volume 10Издатель: Leiden Boston Singapore Paderborn Wien Brill | Schöningh 2023Дата авторского права: © 2023Описание: 1 Online-Ressource (XVIII, 328 Seiten) Illustrationen, PläneВид содержания: Text Средство доступа: Computermedien Тип носителя: Online-RessourceISBN: 9783657795437Вариант заглавия: Mapping art collecting in EuropeТематика(и): 1860-1940 | Kunst | Sammeln | EuropaЭлектронное местонахождение и доступ: Volltext | Volltext Сводка: The essays cover a broad scope of issues relating to individual identity strategies and art collecting in the late modern era, encompassing the history of museums, exhibition policy, art market history, history of taste shaping and provenance research. They create a comparative pan-European perspective of the collecting phenomenon in its various facets. The detailed analysis of the individual cases shows how collecting mirrored the social problems of the late modern era. The book adresses issues such as the socio-cultural role of ethnic minorities, the question of women's emancipation, social exclusion versus inclusion, colonialism or the politicisation of museums. When analysed in the context of private collections, these issues gain clarity and simultaneously demonstrate the complexity of cultural processes, which are still not sufficiently recognised

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The essays cover a broad scope of issues relating to individual identity strategies and art collecting in the late modern era, encompassing the history of museums, exhibition policy, art market history, history of taste shaping and provenance research. They create a comparative pan-European perspective of the collecting phenomenon in its various facets. The detailed analysis of the individual cases shows how collecting mirrored the social problems of the late modern era. The book adresses issues such as the socio-cultural role of ethnic minorities, the question of women's emancipation, social exclusion versus inclusion, colonialism or the politicisation of museums. When analysed in the context of private collections, these issues gain clarity and simultaneously demonstrate the complexity of cultural processes, which are still not sufficiently recognised

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