Sound as popular culture : a research companion / edited by Jens Gerrit Papenburg and Holger Schulze

Другие авторы: Papenburg, Jens Gerrit [editor] | Schulze, Holger [editor]Тип материала: ТекстТекстЯзык: English (английский язык)Издатель: Cambridge : MIT Press, 2016Дата авторского права: ©2016Издание: 1st edОписание: 1 online resource (447 pages)Вид содержания: Text Средство доступа: Computermedien Тип носителя: Online ResourceISBN: 9780262334273Тематика(и): Klang | Medienkultur | Sound - Social aspectsЖанр/форма: Fernzugriff | Электронное местонахождение и доступ: Volltext
Содержание:
Intro -- Contents -- Preface -- Introduction: Sound as Popular Culture -- I Outlining a Non-Discipline: The Theory of Sound as Popular Culture -- Conceptualizing Sound -- 1 The Sonic: Sound Concepts of Popular Culture -- 2 Sound/Music -- 3 Popular Culture -- 4 Sound Practices -- 5 Sound as Musical Material: Three Approaches to a Material Perspective on Sound and Music -- Questioning Disciplines -- 6 Sound Studies versus (Popular) Music Studies -- 7 Sound and Racial Politics: Aural Formations of Race in a Color-Deaf Society -- 8 Sound Studies across Continents: A Multidisciplinary Research Approach -- Establishing New Methodologies -- 9 Ethnography and Archival Research in Studying Cultures of Sound -- 10 Sonic Epistemology -- 11 Historicization in Pop Culture: From Noise Reduction to Noise Recording -- 12 Sound and Media Studies: Archiving and the Construction of Sonic Heritage -- 13 Soccer Stadium as Soundscape: Sound and Subjectivity -- II Formations of Listening: Popular Culture by Ear -- Making History by Ear -- 14 The Invention of the Listener: An(other) History -- 15 Sonic Modernities: Listening to Diasporic Urban Music -- 16 On the Modern Listener -- Listening Materialities and Techniques -- 17 Listening and Digital Technologies -- 18 Enhanced Bass: On 1970s Disco Culture's Listening Devices -- 19 Baby Monitor: Parental Listening and the Organization of Domestic Space -- 20 Over-Hearing: Techniques of Popular Listening -- 21 Technological Sensory Training -- Concepts of Listening -- 22 Listening as Gesture and Movement -- 23 Concepts of Fidelity -- 24 Loudness Cultures: Practices, Conflicts, Discourses -- 25 Existential Orientation: The Sound Knowledge of Fans -- 26 Corporeal Listening -- III Producting Sonic Artifacts: Hands-On Popular Culture -- Material Sound Concepts -- 27 Records on the Radio.
28 From Stationality to Radio Aesthetics: Investigations on Radiophonic Sounds -- 29 World Music 2.0: Updated and Expanded -- 30 Computer Game Sound: From Diegesis to Immersion to Sonic Emotioneering -- Production Processes -- 31 "Syd's Theme": On the Conceptualization of Audio Production Processes -- 32 Sonic Signatures in Record Production -- 33 Phonographic Work: Reading and Writing Sound -- 34 Listener Orientation -- 35 (Re-)Mastering Sonic Media History -- Cultural Sound Practices -- 36 Distorted Voices, Afrofuturism, and the Aesthetic Experience ofthe Self as Other -- 37 Critical Listening -- 38 Sonic Cartoons -- Contributors -- Index.
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Intro -- Contents -- Preface -- Introduction: Sound as Popular Culture -- I Outlining a Non-Discipline: The Theory of Sound as Popular Culture -- Conceptualizing Sound -- 1 The Sonic: Sound Concepts of Popular Culture -- 2 Sound/Music -- 3 Popular Culture -- 4 Sound Practices -- 5 Sound as Musical Material: Three Approaches to a Material Perspective on Sound and Music -- Questioning Disciplines -- 6 Sound Studies versus (Popular) Music Studies -- 7 Sound and Racial Politics: Aural Formations of Race in a Color-Deaf Society -- 8 Sound Studies across Continents: A Multidisciplinary Research Approach -- Establishing New Methodologies -- 9 Ethnography and Archival Research in Studying Cultures of Sound -- 10 Sonic Epistemology -- 11 Historicization in Pop Culture: From Noise Reduction to Noise Recording -- 12 Sound and Media Studies: Archiving and the Construction of Sonic Heritage -- 13 Soccer Stadium as Soundscape: Sound and Subjectivity -- II Formations of Listening: Popular Culture by Ear -- Making History by Ear -- 14 The Invention of the Listener: An(other) History -- 15 Sonic Modernities: Listening to Diasporic Urban Music -- 16 On the Modern Listener -- Listening Materialities and Techniques -- 17 Listening and Digital Technologies -- 18 Enhanced Bass: On 1970s Disco Culture's Listening Devices -- 19 Baby Monitor: Parental Listening and the Organization of Domestic Space -- 20 Over-Hearing: Techniques of Popular Listening -- 21 Technological Sensory Training -- Concepts of Listening -- 22 Listening as Gesture and Movement -- 23 Concepts of Fidelity -- 24 Loudness Cultures: Practices, Conflicts, Discourses -- 25 Existential Orientation: The Sound Knowledge of Fans -- 26 Corporeal Listening -- III Producting Sonic Artifacts: Hands-On Popular Culture -- Material Sound Concepts -- 27 Records on the Radio.

28 From Stationality to Radio Aesthetics: Investigations on Radiophonic Sounds -- 29 World Music 2.0: Updated and Expanded -- 30 Computer Game Sound: From Diegesis to Immersion to Sonic Emotioneering -- Production Processes -- 31 "Syd's Theme": On the Conceptualization of Audio Production Processes -- 32 Sonic Signatures in Record Production -- 33 Phonographic Work: Reading and Writing Sound -- 34 Listener Orientation -- 35 (Re-)Mastering Sonic Media History -- Cultural Sound Practices -- 36 Distorted Voices, Afrofuturism, and the Aesthetic Experience ofthe Self as Other -- 37 Critical Listening -- 38 Sonic Cartoons -- Contributors -- Index.

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