The Ibero-American baroque

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Cover -- Page i -- Title page -- Copyright page -- Dedication -- Contents -- List of Figures -- Acknowledgments -- Introduction: The Ibero-American Baroque as the First Global Culture -- Part 1. Painting, Sculpture, and Other Arts -- 1 Transfers, Encounters, Innovations: The Church of the Third Order of Saint Francis of Penance in Ouro Preto -- 2 The Elevation of the Genre of "Shrine Paintings" in Peru -- 3 Baroque Reliquaries and Automata as Representations of Eternal Life -- 4 Marian Sculpture in Baroque Portuguese America -- Part 2. Architecture -- 5 Presence and Absence: The Holy House of Loreto in Ibero-America -- 6 From Intimate to Infinite Presence: The Camarín at Tepotzotlán -- 7 Passion in Motion: The Way of the Cross as Performance in New Spain -- Part 3. Music -- 8 Music in Processions at the Jesuit Reducciones of Moxos and Chiquitos in Bolivia -- 9 Neapolitan Technology and Galant Style in a Novohispano Context: Eight Concerted Responsories by Ignacio Jerusalem -- 10 The Resonance of Sor Juana's Villancicos in Spanish Cathedral Archives -- Part 4. Textual Continuities and Change -- 11 Emblems and Wit in the Hispanic Baroque according to Baltasar Gracián -- 12 The Baroque as Paradox: Novelty and Printed Courtly Sermons in Seventeenth- and Eighteenth-Century New Spain -- 13 The Literary Dream in Querétaro: A Baroque Genre and Enlightenment Ideals in New Spain -- List of Contributors -- Index -- Series List.

The Ibero-American Baroqueis an interdisciplinary, empirically-grounded contribution to the understanding of cultural exchanges in the early modern Iberian world.