Discovering Orson Welles / Jonathan Rosenbaum. [electronic resource] /

По: Rosenbaum, JonathanТип материала: ТекстТекстЯзык: English (английский язык) Berkeley : University of California Press, c2007Описание: ix, 336 p. ; 23 cmВид содержания: Text Средство доступа: Computermedien Тип носителя: Online RessourceТематика(и): Welles, Orson, 1915-1985 -- Criticism and interpretationЭлектронное местонахождение и доступ: Volltext
Содержание:
I missed it at the movies: objections to "Raising Kane" -- The voice and the eye: a commentary on the Heart or darkness script -- Notes on a conversation with Welles -- First impressions of F for fake -- The butterfly and the whale: Orson Welles's F for fake -- Prime cut (the 107-minute Touch of evil) -- André Bazin and the politics of sound in Touch of evil -- The invisible Orson Welles: a first inventory -- Reviews of biographies by Barbara Leaming and Charles Higham and a critical edition of Touch of evil -- Afterword to The big brass ring, a screenplay by Orson Welles (with Oja Kodar) -- Wellesian: Quixote in a trashcan (New York University Welles Conference) -- Reviews of Citizen Welles and a critical edition of Chimes at midnight -- Review of Orson Welles: A bio-bibliography -- Orson Welles's essay films and documentary fictions: a two-part speculation -- The seven Arkadins -- Othello goes Hollywood -- Truth and consequence: On it's all true: based on an unfinished film by Orson Welles -- Afterword to The cradle will rock, an original screenplay by Orson Welles -- Orson Welles in the U.S.: an exchange with Bill Krohn -- The battle over Orson Welles -- Touch of evil retouched -- Excerpt from "Problems of access: on the trail of some festival films and filmmakers" (On touch of evil) -- Welles in the lime light: The third man -- Orson Welles as ideological challenge -- Orson Welles's purloined letter: F for fake -- When will - and how can - we finish Orson Welles's Don Quixote?

Includes bibliographical references and index.

I missed it at the movies: objections to "Raising Kane" -- The voice and the eye: a commentary on the Heart or darkness script -- Notes on a conversation with Welles -- First impressions of F for fake -- The butterfly and the whale: Orson Welles's F for fake -- Prime cut (the 107-minute Touch of evil) -- André Bazin and the politics of sound in Touch of evil -- The invisible Orson Welles: a first inventory -- Reviews of biographies by Barbara Leaming and Charles Higham and a critical edition of Touch of evil -- Afterword to The big brass ring, a screenplay by Orson Welles (with Oja Kodar) -- Wellesian: Quixote in a trashcan (New York University Welles Conference) -- Reviews of Citizen Welles and a critical edition of Chimes at midnight -- Review of Orson Welles: A bio-bibliography -- Orson Welles's essay films and documentary fictions: a two-part speculation -- The seven Arkadins -- Othello goes Hollywood -- Truth and consequence: On it's all true: based on an unfinished film by Orson Welles -- Afterword to The cradle will rock, an original screenplay by Orson Welles -- Orson Welles in the U.S.: an exchange with Bill Krohn -- The battle over Orson Welles -- Touch of evil retouched -- Excerpt from "Problems of access: on the trail of some festival films and filmmakers" (On touch of evil) -- Welles in the lime light: The third man -- Orson Welles as ideological challenge -- Orson Welles's purloined letter: F for fake -- When will - and how can - we finish Orson Welles's Don Quixote?

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