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Gendering bodies/performing art : dance and literature in early-twentieth-century culture / Amy Koritz. [electronic resource] :

Von: Koritz, Amy, 1955-Materialtyp: TextTextSprache: Englisch Reihen: ACLS Humanities E-BookAnn Arbor : University of Michigan Press, c1995Beschreibung: x, 218 p. : ill. ; 24 cmInhaltstyp: Text Medientyp: Computermedien Datenträgertyp: Online RessourceSchlagwörter: -- 20th century -- History and criticism | -- 19th century -- History and criticism | -- Irish authors -- History and criticism | -- England -- History | -- England | English literature | Dance in literature | English literature | English literature | Dance | Symbolism (Literary movement)Online-Ressourcen: Volltext
Inhalte:
Moving violations : dance in the London music hall -- The dancer and woman's place : Maud Allan and Isadora Duncan -- The symbolist dancer : the performance aesthetics of Isadora Duncan, Arthur Symons, and Edward Gordon Craig -- Oscar Wilde's Salomé : rewriting the fatal woman -- Dance and gender in Yeats's early plays for dancers -- The aesthetics of control : G.B. Shaw and the performer -- Usurping high culture : the Russian Ballet, I -- Disappearing acts : ideology and the performer in T.S. Eliot's early criticism -- Massine and modernism : the Russian Ballet, II.
Exemplare
Medientyp Aktuelle Bibliothek Signatur Status Barcode
E-Books MWN Osteuropa Online-Ressource E-23-e0ACLS (Regal durchstöbern(Öffnet sich unterhalb)) Verfügbar 69255

Includes bibliographical references and index.

Moving violations : dance in the London music hall -- The dancer and woman's place : Maud Allan and Isadora Duncan -- The symbolist dancer : the performance aesthetics of Isadora Duncan, Arthur Symons, and Edward Gordon Craig -- Oscar Wilde's Salomé : rewriting the fatal woman -- Dance and gender in Yeats's early plays for dancers -- The aesthetics of control : G.B. Shaw and the performer -- Usurping high culture : the Russian Ballet, I -- Disappearing acts : ideology and the performer in T.S. Eliot's early criticism -- Massine and modernism : the Russian Ballet, II.

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