Being modern in the Middle East : revolution, nationalism, colonialism, and the Arab middle class / Keith David Watenpaugh. [electronic resource] :

По: Watenpaugh, Keith David, 1966-Тип материала: ТекстТекстЯзык: English (английский язык) Исходный язык:арабский, Турецкий Princeton, New Jersey ; Princeton University Press, 2012Издание: 1st edОписание: xvii, 325 p. : Grayscale Illustration, Tables ; 25 cmВид содержания: Text Средство доступа: Computermedien Тип носителя: Online RessourceISBN: 9780691121699; 0691121699Тематика(и): Arab nationalism | -- Arab countries | -- Arab countries | -- Arab countries | Middle Eastern 1 : -- General & Multiperiod | Middle class | Revolutions | Social conflict | Civil societyЭлектронное местонахождение и доступ: Volltext
Содержание:
Being Modern in a Time of Revolution: The Revolution of 1908 and the Beginnings of Middle-Class Politics (1908–1918) -- Being Modern in a Moment of Anxiety: The Middle Class Makes Sense of a “Postwar” World (1918–1924)—Historicism, Nationalism, and Violence -- Being Modern in an Era of Colonialism: Middle-Class Modernity and the Culture of the French Mandate for Syria (1925–1946).
Introduction: Modernity, Class, and the Architectures of Community -- An Eastern Mediterranean City on the Eve of Revolution -- Ottoman Precedents (I): Journalism, Voluntary Association, and the “True Civilization” of the Middle Class -- Ottoman Precedents (II): The Technologies of the Public Sphere and the Multiple Deaths of the Ottoman Citizen -- Rescuing the Arab from History: Halab, Orientalist Imaginings, Wilsonianism, and Early Arabism -- The Persistence of Empire at the Moment of Its Collapse: Ottoman-Islamic Identity and “New Men” Rebels -- Remembering the Great War: Allegory, Civic Virtue, and Conservative Reaction -- Deferring to the A‘yan: The Middle Class and the Politic of Notables -- Middle-Class Fascism and the Transformation of Civil Violence: Steel Shirts, White Badges, and the Last Qabaday -- Not Quite Syrians: Aleppo's Communities of Collaboration -- Coda: The Incomplete Project of Middle-Class Modernity and the Paradox of Metropolitan Desire.
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Published by Princeton University Press.

This book has been composed in Sabon.

Printed on acid-free paper.

Printed in the United States of America.

Includes bibliographical reference and index.

Being Modern in a Time of Revolution: The Revolution of 1908 and the Beginnings of Middle-Class Politics (1908–1918) -- Being Modern in a Moment of Anxiety: The Middle Class Makes Sense of a “Postwar” World (1918–1924)—Historicism, Nationalism, and Violence -- Being Modern in an Era of Colonialism: Middle-Class Modernity and the Culture of the French Mandate for Syria (1925–1946).

Introduction: Modernity, Class, and the Architectures of Community -- An Eastern Mediterranean City on the Eve of Revolution -- Ottoman Precedents (I): Journalism, Voluntary Association, and the “True Civilization” of the Middle Class -- Ottoman Precedents (II): The Technologies of the Public Sphere and the Multiple Deaths of the Ottoman Citizen -- Rescuing the Arab from History: Halab, Orientalist Imaginings, Wilsonianism, and Early Arabism -- The Persistence of Empire at the Moment of Its Collapse: Ottoman-Islamic Identity and “New Men” Rebels -- Remembering the Great War: Allegory, Civic Virtue, and Conservative Reaction -- Deferring to the A‘yan: The Middle Class and the Politic of Notables -- Middle-Class Fascism and the Transformation of Civil Violence: Steel Shirts, White Badges, and the Last Qabaday -- Not Quite Syrians: Aleppo's Communities of Collaboration -- Coda: The Incomplete Project of Middle-Class Modernity and the Paradox of Metropolitan Desire.

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