Dante for the new millennium / edited by Teodolinda Barolini and H. Wayne Storey. [electronic resource] /

Printed in the United States of America.

First edition.

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, photocopy, recording, or any other—except for brief quotations in printed reviews, without the prior permission of the publisher.

Includes bibliographical references and index.

I Philologies -- II Appetites -- III Philosophies -- IV Reception -- V Histories -- VI Rewritings.

What Did the First Copies of the Comedy Look Like? -- Early Editorial Forms of Dante's Lyrics -- Material Philology, Conjectural Philology, Philology without Adjectives -- Beyond (Courtly) Dualism: Thinking about Gender in Dante's Lyrics -- Queering Nature, Queering Gender: Dante and Sodomy -- Does the Stilnovo Go to Heaven? -- Love for Beatrice: Transcending Contradiction in the Paradiso -- Mysticism and Meaning in Dante's Paradiso -- The Heaven of the Sun: Dante between Aquinas and Bonaventure -- Vulgarizing Science: Vernacular Translation of Natural Philosophy -- The Body and the Flesh in the Purgatorio -- From Plurality to (Near) Unicity of Forms: Embryology in Purgatorio 25 -- Quando amorfa sentir de la sua pace -- Virility, Nobility, and Banking: The Crossing of Discourses in the Tenzone with Forese -- Scatology and Obscenity in Dante -- On Dante and the Visual Arts -- Dante's Jeremiads: The Fall of Jerusalem and the Burden of the New Pharisees, the Capetians, and Florence -- From Francis to Solomon: Eschatology in the Sun -- Already and Not Yet: Dante's Existential Eschatology -- Dante after Dante -- Ovid and the Exul Inmeritus -- The Re-Formation of Marsyas in Paradiso 1 -- Dante in England -- Moby-Dante? -- Still Here: Dante after Modernism.

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