Taking it to the streets : the social protest theater of Luis Valdez and Amiri Baraka / Harry J. Elam, Jr.

По: Elam, Harry Justin [author.]Тип материала: ТекстТекстЯзык: English (английский язык) Серия: ACLS Humanities E-BookИздатель: Ann Arbor : University of Michigan Press, 2001Издание: 1st paperback editionОписание: xi, 187 pages, 6 unnumbered pages of plates : illustrations ; 23 cmВид содержания: Text Средство доступа: Computermedien Тип носителя: Online ResourceТематика(и): Teatro Campesino (Organization) | Valdez, Luis -- Criticism and interpretation | Baraka, Amiri, 1934-2014 -- Criticism and interpretation | -- California | -- California | -- California -- Mexican American authors | Valdez, Luis -- Critique et interprétation | Baraka, Imamu Amiri, 1934- -- Critique et interprétation | Teatro Campesino (Organisation) | -- Californie | -- Californie -- Auteurs d'origine mexicaine | -- Californie | Baraka, Amiri, 1934-2014 | Valdez, Luis | Teatro Campesino (Organization) | -- Mexican American authors | | | California | El Teatro Campesino | | | Chicanos | Workers' theater | Mexican American theater | American drama | Théâtre ouvrier | Théâtre américain | Théâtre mexicain-américain | American drama | Mexican American theater | Workers' theater | Chicanos | ProtestЖанр/форма: | Электронное местонахождение и доступ: Volltext
Содержание:
An initiation into the rituals of social protest theater: the cultural politics of El Teatro Campesino and the Black Revolutionary Theater -- Synergy -- the social environment as an active agent: Black Ice and Las Dos Caros del Patroncito -- Generating social changes and cultural affirmation: content and form in the plays of El Teatro and the BRT -- Rehearsing the revolution onstage: the social performance text and the performance space -- Performers and spectators: spiritual communion and subversive celebratin -- The rituals of social protest theater: reconsiderations and conclusions.

Includes bibliographical references (pages 167-175) and index.

An initiation into the rituals of social protest theater: the cultural politics of El Teatro Campesino and the Black Revolutionary Theater -- Synergy -- the social environment as an active agent: Black Ice and Las Dos Caros del Patroncito -- Generating social changes and cultural affirmation: content and form in the plays of El Teatro and the BRT -- Rehearsing the revolution onstage: the social performance text and the performance space -- Performers and spectators: spiritual communion and subversive celebratin -- The rituals of social protest theater: reconsiderations and conclusions.

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