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Literature and the creative economy / Sarah Brouillette.

Von: Brouillette, Sarah, 1977- [author.]Materialtyp: TextTextSprache: Englisch Reihen: ACLS Humanities E-BookVerlag: Stanford, California : Stanford University Press, [2014]Copyright-Datum: ©2014Beschreibung: 1 online resource (ix, 238 pages) : illustrationsInhaltstyp: Text Medientyp: Computermedien Datenträgertyp: Online ResourceISBN: 9780804792431Schlagwörter: -- 21st century -- History and criticism | -- Economic aspects | -- Economic aspects | English literature | Creation (Literary, artistic, etc.) | Authorship | Cultural industries | Cultural policyGenre/Form: Online-Ressourcen: Volltext
Inhalte:
The creative class and cultural governance -- Work as art, art as life -- The psychology of creativity -- Economy and pathology in Aravind Adiga's The white tiger and Monica Ali's In the kitchen -- Economy and authenticity in Daljit Nagra's Look we have coming to Dover! and Gautam Malkani's Londonstani -- The strange case of the writer-consultant -- Valuing the arts in Ian McEwan's Saturday.
Zusammenfassung: For nearly twenty years, social scientists and policy makers have been highly interested in the idea of the creative economy. This book contends that mainstream considerations of the economic and social force of culture, including theories of the creative class and of cognitive and immaterial labor, are indebted to historic conceptions of the art of literary authorship. It shows how contemporary literature has been involved in and has responded to creative-economy phenomena, including the presentation of artists as models of contentedly flexible and self-managed work, the treatment of training in and exposure to art as a pathway to social inclusion, the use of culture and cultural institutions to increase property values, and support for cultural diversity as a means of growing cultural markets. Contemporary writers have not straightforwardly bemoaned these phenomena in a classic rejection of the instrumental application of art. They have tended to explore how their own critical capacities have become compatible with or even essential to a neoliberal economy that has embraced art's autonomous gestures as proof that authentic self-articulation and social engagement can and should occur within capitalism. Taking a sociological approach to literary criticism, this book interprets major works of contemporary fiction by Monica Ali, Aravind Adiga, Daljit Nagra, and Ian McEwan alongside government policy, social science, and theoretical explorations of creative work and immaterial labor.
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Includes bibliographical references (pages 209-230) and index.

The creative class and cultural governance -- Work as art, art as life -- The psychology of creativity -- Economy and pathology in Aravind Adiga's The white tiger and Monica Ali's In the kitchen -- Economy and authenticity in Daljit Nagra's Look we have coming to Dover! and Gautam Malkani's Londonstani -- The strange case of the writer-consultant -- Valuing the arts in Ian McEwan's Saturday.

For nearly twenty years, social scientists and policy makers have been highly interested in the idea of the creative economy. This book contends that mainstream considerations of the economic and social force of culture, including theories of the creative class and of cognitive and immaterial labor, are indebted to historic conceptions of the art of literary authorship. It shows how contemporary literature has been involved in and has responded to creative-economy phenomena, including the presentation of artists as models of contentedly flexible and self-managed work, the treatment of training in and exposure to art as a pathway to social inclusion, the use of culture and cultural institutions to increase property values, and support for cultural diversity as a means of growing cultural markets. Contemporary writers have not straightforwardly bemoaned these phenomena in a classic rejection of the instrumental application of art. They have tended to explore how their own critical capacities have become compatible with or even essential to a neoliberal economy that has embraced art's autonomous gestures as proof that authentic self-articulation and social engagement can and should occur within capitalism. Taking a sociological approach to literary criticism, this book interprets major works of contemporary fiction by Monica Ali, Aravind Adiga, Daljit Nagra, and Ian McEwan alongside government policy, social science, and theoretical explorations of creative work and immaterial labor.

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