Making art history in Europe after 1945 / edited by Noemi de Haro García ; Patricia Mayayo ; Jesús Carrillo

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Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Contents -- List of Figures -- List of Contributors -- Acknowledgements -- 1 The (Re)makings of Art History and Europe After 1945 -- SECTION 1 Europe After the Rain -- 2 The Allied Cultural Policies in Germany: Between 'Re-Education' and the Politicisation of the Arts (1945-1949) -- 3 UNESCO's Colour Reproductions Project: Bringing (French) Art to the World -- 4 Curatorial Experiments at the National Gallery After the Second World War: Reframing History and the Pursuit of Aesthetic Experience -- 5 The Venice Biennale at its Turning Points: 1948 and the Aftermath of 1968 -- SECTION 2 Re-Reading Cold War Narratives -- 6 Artists in Service of the Masses: The Untold Story of the Yugoslav Socialist Realist Project -- 7 The Museum of Contemporary Art in Belgrade and Post-Revolutionary Desire: Producing the Art History Narrative of Yugoslav Modern Art -- 8 Simultaneous Equations: Early Cold War Cultural Politics and the History of Art in Greece -- 9 Cold War Art Historiography: Some Observations on an Interdisciplinary Approach Through the Social Sciences -- 10 Something Is Happening Here: Spaces and Figures of Change in Post­War Portugal -- SECTION 3 A New Europe? -- 11 Art Policies, Identity, and Ideology in Spain During the 1980s -- 12 Official Art Becoming Resistance: Adopting the Discourse of 'Dissent ' into Estonian Art History Writings -- 13 Gender and Art History in Poland: A Constant Story of Subversion -- 14 Narrating Dissident Art in Spain: The Case of Desacuerdos. Sobre Arte, Políticas y Esfera Pública (2003-2005) -- Index.