The present prospects of social art history / edited by Anthony E. Grudin, Robert Slifkin

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Intro -- Title Page -- Copyright Page -- Contents -- Illustrations -- Introduction: The Present Prospects of Social Art History -- Notes -- Chapter 1: Social Art History in Retrospect -- Three Tendencies in the Social History of Art -- Positivist -- Marxist -- Subjective -- Notes -- Chapter 2: Marat's Two Bodies -- Marat's Sacred Body -- The Shameful Death -- Inheritance -- Notes -- Chapter 3: The Anti-Heroism of Modern Life, or the Social History of Art in Standard Time -- Notes -- Chapter 4: T. J. Clark, Peasant Materialism, and the End of Social Art History -- Notes -- Chapter 5: Daumier and Method -- Notes -- Chapter 6: The Age of Social Art History: Berger, Clark, Fried -- Notes -- Chapter 7: A Secret History of Martin Wong -- Acknowledgments -- Notes -- Chapter 8: Vernacular Modernism All Over: the Deep South -- Absorption and Theatricality -- Farewell to an Idea -- The Legacy of Jackson Pollock -- Chapter 9: Note to Self: On the Blurring of Art and Life -- Writing the Self -- The Blurring of Art and Life -- Lee Lozano's Art-Life Experiment -- The Politics of Experience -- Notes -- Chapter 10: The Role of Form in the Social History of Art -- Formalism -- A Formalist Social History of Art -- Acknowledgments -- Notes -- Chapter 11: Abject Art History -- Form and Grace -- Photography as Model -- Notes -- Contributors -- Index.