Law and the Visual : Representations, Technologies, Critique. / Desmond Manderson

По: Manderson, DesmondТип материала: ТекстТекстЯзык: English (английский язык)Издатель: Toronto : University of Toronto Press, 2018Дата авторского права: ©2018Издание: 1st edОписание: 1 online resource (376 pages)Вид содержания: Text Средство доступа: Computermedien Тип носителя: Online ResourceISBN: 9781442630321Тематика(и): Recht | Dokumentarfotografie | Gerechtigkeit | Fotografie | DokumentarfotografieЖанр/форма: | FernzugriffДополнительные физические форматы: Print version:: Law and the VisualЭлектронное местонахождение и доступ: Volltext
Содержание:
Cover -- Copyright -- Contents -- Introduction: Imaginal Law -- Part One: Representations - The Origins of Legal Modernity from the Sixteenth to the Nineteenth Centuries -- 1: Blindness Visible: Law, Time, and Bruegel's Justice -- 2: Faces and Frames of Government -- 3: An Emblematic Representation of Law: Hogarth and the Engravers' Act -- 4: Law and the Revolutionary Motif after Jacques-Louis David -- 5: Legal Imagery on the Edge of Symbolism: The Decoration Projects for the Belgian Cour de Cassation -- 6: The Visual Force of Justice in the Making of Liberia -- Part Two: Technologies - Excesses of Legal Modernity in the Twentieth Century -- 7: "You Will See My Family Became So American": Race, Citizenship, and the Visual Archive -- 8: From Sentimentality to Sadism: Visual Genres of Asylum Seeking -- 9: Images of Victims: The ECCC and the Cambodian Genocide Museum -- 10: The Exceptional Image: Torture Photographs from Guantánamo Bay and Abu Ghraib as Foucault's Spectacle of Punishment -- Part Three: Critique - Irony and Legal Modernity in the Twenty-First Century -- 11: T-Shirt's Guevara: The Visual Jurisprudence of the New Man -- 12: The Art of Bureaucracy: Redacted Ready-mades -- 13: Illicit Interventions in Public Non-Spaces: Unlicensed Images -- 14: What Authorizes the Image? The Visual Economy of Post-Secular Jurisprudence -- Contributors -- Index.
Сводка: In Law and the Visual, leading legal theorists, art historians, and critics come together to present new work examining the intersection between legal and visual discourses.

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Cover -- Copyright -- Contents -- Introduction: Imaginal Law -- Part One: Representations - The Origins of Legal Modernity from the Sixteenth to the Nineteenth Centuries -- 1: Blindness Visible: Law, Time, and Bruegel's Justice -- 2: Faces and Frames of Government -- 3: An Emblematic Representation of Law: Hogarth and the Engravers' Act -- 4: Law and the Revolutionary Motif after Jacques-Louis David -- 5: Legal Imagery on the Edge of Symbolism: The Decoration Projects for the Belgian Cour de Cassation -- 6: The Visual Force of Justice in the Making of Liberia -- Part Two: Technologies - Excesses of Legal Modernity in the Twentieth Century -- 7: "You Will See My Family Became So American": Race, Citizenship, and the Visual Archive -- 8: From Sentimentality to Sadism: Visual Genres of Asylum Seeking -- 9: Images of Victims: The ECCC and the Cambodian Genocide Museum -- 10: The Exceptional Image: Torture Photographs from Guantánamo Bay and Abu Ghraib as Foucault's Spectacle of Punishment -- Part Three: Critique - Irony and Legal Modernity in the Twenty-First Century -- 11: T-Shirt's Guevara: The Visual Jurisprudence of the New Man -- 12: The Art of Bureaucracy: Redacted Ready-mades -- 13: Illicit Interventions in Public Non-Spaces: Unlicensed Images -- 14: What Authorizes the Image? The Visual Economy of Post-Secular Jurisprudence -- Contributors -- Index.

In Law and the Visual, leading legal theorists, art historians, and critics come together to present new work examining the intersection between legal and visual discourses.

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