Sculpture workshops as space and concept : creating the portrait / edited by Jane Fejfer ; Kristine Bøggild Johannsen

Другие авторы: Fejfer, Jane [editor] | Johannsen, Kristine Bøggild [editor]Тип материала: ТекстТекстЯзык: English (английский язык)Серия: Routledge research in art historyИздатель: Milton : Taylor & Francis Group, 2022Дата авторского права: ©2022Описание: 1 online resource (191 pages)Вид содержания: Text Средство доступа: Computermedien Тип носителя: Online ResourceISBN: 9781000555073Тематика(и): Kunst | Plastik | Werkstatt | Bildnis | Sculpture-Technique | Artists' studiosЖанр/форма: | FernzugriffДополнительные физические форматы: Print version:: Sculpture Workshops As Space and ConceptЭлектронное местонахождение и доступ: Volltext
Содержание:
Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Contents -- List of Figures -- List of Contributors -- Preface -- 1. Introduction -- 2. The Absent Center: Donatello in the Workshop -- 3. Ambiguous Narratives of Making: Some Questions about the Workshop Practices of Eighteenth-Century British Sculptors -- 4. More than Gossip and Less than Monuments: Forms of Ambition in the 1790s and Early 1800s Roman Bust Head -- 5. Master and Servant: Canova's Workshop and the Formation of Sculptural Autonomy -- 6. Likeness, Ideality, and Equality: On Thorvaldsen's Portrait Busts and His Workshop Practice -- 7. The Final Touch: On Thorvaldsen's Marble Surfaces -- 8. Female Patronage: The Unstable Beginnings of Christian Daniel Rauch as a Portrait Sculptor in Berlin, Rome, and Carrara -- Index.
Сводка: This book explores the multifaceted aspects of sculptor's workshops from the Renaissance to the early nineteenth century.

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Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Contents -- List of Figures -- List of Contributors -- Preface -- 1. Introduction -- 2. The Absent Center: Donatello in the Workshop -- 3. Ambiguous Narratives of Making: Some Questions about the Workshop Practices of Eighteenth-Century British Sculptors -- 4. More than Gossip and Less than Monuments: Forms of Ambition in the 1790s and Early 1800s Roman Bust Head -- 5. Master and Servant: Canova's Workshop and the Formation of Sculptural Autonomy -- 6. Likeness, Ideality, and Equality: On Thorvaldsen's Portrait Busts and His Workshop Practice -- 7. The Final Touch: On Thorvaldsen's Marble Surfaces -- 8. Female Patronage: The Unstable Beginnings of Christian Daniel Rauch as a Portrait Sculptor in Berlin, Rome, and Carrara -- Index.

This book explores the multifaceted aspects of sculptor's workshops from the Renaissance to the early nineteenth century.

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